Lawrence of Arabia Screening

Somewhere over the last couple of years, Amanda has fallen in love with this movie. I have admired it completely since I saw the restoration with my Father back in 1989 at the Century City AMC Complex. Last night was the second time in 7 months that we got to experience it on the big screen. That’s in addition to the two times I’ve watched it on the fabulous Blu Ray Special package that I got as a Father’s Day gift. I’m not going to do a complete post on it today, but I will post a link to the Vlog I put up last June, in case you missed it.

Last nights screening was at the Egyptian Theater. The audience was packed and there were hundreds of people seeing it for the first time.

Needless to say we had a great time. Amanda’s New Years Resolution is to see this on the big screen every time it plays somewhere in the L.A. Area. That seems good to me. 

The Academy Goes off the Deep End

Bruce Broughton defends actions after rescinded Academy Award nomination – CBS News

Composer Bruce Broughton has been stripped of his Academy Award Nomination for a song he composed for a small Christian based film. The song was a surprise nominee because big time music figures who made contributions to other films did not get nominated and this did. There is not a clear statement concerning a rule violation, instead the implication is that because Broughton is a former governor of the Academy, that a personal e-mail carries with it some extra onus and maybe even intimidation. Having read the e-mail in question, I have to call BS on that. His tentative outreach was not to the entire music branch, and it is the mildest form of promotion you can imagine. The idea that he is using his position in the Academy as a way of gaining a nomination is preposterous. If this were true, no one actively serving on the board could ever hope their work in the industry could be nominated  at the same time they are volunteering to administer Academy business.

These people are shooting themselves in the foot and doing so in a way that is embarrassing and humiliating to a working professional who has given his time to the very institution that is now stepping on him. Unless there is some other issue that remains in the background, this is an incredibly unfair act and probably completely unnecessary. The chance of this piece of music winning the award is zero. There is more pressure in the guilds and production centers to vote for any nominee than this little film could ever muster. If I were a member of the music branch, I would be writing to the Academy at this very moment, protesting this decision. I would also be worried that any time a famous big time musician got bypassed, that someone is going to suffer the consequences of a political hissy fit.

Listen to this beautiful piece of music and know that the people who worked on this still have something to be proud of.

I had never heard of this movie before but I am now going to look for it and try to watch and post on it. I hope that the low budget and other limitations still allow a good story to be told. Mr Broughton, I have heard your music in many films and television projects and they have always been worthy and professional. You have probably heard for years how great the score from “Silverado” was. Hold your head up high and know that you did nothing wrong, this is just the cutthroat industry that you have made your living in for many years. There are wonderful people in the industry but there are also a lot of self important ass kissers. You stepped on someones toes by asking for the same kind of consideration that anyone else would be entitled to and they would usually demand it at the top of their lungs. I’m sorry you have suffered this indignity. I hope that whatever set of envious colleagues were responsible for this travesty will certainly receive the karma they have earned from this tantrum.

Best Movie Theaters Los Angeles – Screenings, Films

Best Movie Theaters Los Angeles – Screenings, Films

I’ve been to most of these venues. The newer ones with the fancy amenities are not yet an experience I’ve had but The Nuart, Vista, Chinese, Sunset 5, and Arclight  are all gems. The Silent Movie Theater has great programming but an uncomfortable venue. Left off of this list is the great Egyptian Theater, which is only used for special programming which may be why it did not make the list.

I saw JAWS at a screening at the Vista back in 2009, got to meet screenwriter Carl Gottlieb there.

Take a look and imagine seeing a great movie in a great theater.

Nebraska

The new year starts for me with one of the great small films that got released at the end of the last year. “Nebraska” has been talked about since the Cannes Film festival way back in May of last year when Bruce Dern was given the award for best actor. Since that time, it’s reputation has grown creating more anticipation and earning several end of the year accolades. There certainly deserves to be attention thrown at the actors in this film, they all do an outstanding job of playing some cantankerous, confused, concerned and conniving personalities. There are several aspects of the story that ring a little close to home at times but in the end, the story manages to be about the connection we have with our loved ones, even in the most trying of times. 

Dern plays “Woody Grant”, a delusional old man who is not particularly likable. He is not a mean man or particularly sneaky although once or twice he does say things that might be hurtful to his younger son. The one thing he definitely is however is determined. Having had some first hand experience with elderly dementia, I can say it was easy to relate to the frustration that his family goes through when he is determined to get to Lincoln,Nebraska in order to collect his imagined prize. He is not infirm and his level of dementia is not such that he can easily be distracted. His good hearted son David, played by Will Forte is willing to indulge him so that he does not have to lie to his old man. That desire to do the right thing, even in the face of a ridiculous assumption and obsession, makes David more and more like his Dad than he might have realized. Several times in the story, we hear how “Woody” was taken advantage of by people in the past because he could not say no to them. David repeats the pattern because even though he trys to argue and convince his father that the prize is an illusion, he can’t bring himself to lying and decieving his father or putting him in a home.

It is not hard to play a grizzled old man if you are one, and Bruce Dern’s long career has prepared him for the role in a lot of ways. He has been making films for more than fifty years and some of the parts he played were unsavory ones. I’m not sure the number of times he played a saddle tramp, dirty and disheveled in some Western, but it is certainly a lot. He also has played crazy before. In the late seventies, if you were looking for a disturbed character actor as an antagonist, his name was probably on the casting list of everyone in town. His performance in this film is more nuanced. He is not supposed to be insane, just mildly obsessive and delusional. His mannerisms reveal a weary frustration at times with the lack of respect that he now commands with his wife and sons. Having been a milquetoast husband and alcoholic father it might be understandable why everyone would expect him to lay down when they draw a line. Dern however shows us a man fighting for respect, far past the point that anyone might be able to earn it. This is not a sentimental portrait but it is an honest one. He does not have as much dialogue as some of the even more peripheral characters but you can tell that his quiet face and bent body are not to be taken lightly. There are no histrionic scenes of emotional revelation. At one point when it is revealed that he had an affair with a woman between the time his first and second sons were born, he does not explain or apologize. There is a mildly sheepish and guilty look on his face but it was not a moment of revelation to him the way it was to his son. Woody manages to accept the judgement that his action might have been wrong and he can see that his son feels betrayed, but Woody knows that it is the past and life needs to be lead in the future. Back in 1985, Geraldine Page won an Oscar for “The Trip to Bountiful”, the story of an old woman’s return to her childhood home. That film was filled with sentiment and nostalgia. Woody’s visit to his family roots, stirs some old memories but they never threaten to bring a tear despite the sadness. That’s not the kind of guy Woody is and Dern plays those scenes with quiet introspection but not trying to hit an emotional geyser

I probably identify with Forte’s David more than is healthy. My relationship with my father was certainly closer and warmer than the relationship at the center of this story, but both of us feel protective of our old man’s dignity and legacy. Despite the fact that his father is infuriating in his single mindedness and that he is a somewhat sloppy drunk, David still manages to find a well of patience to tap whenever he gets a little overwhelmed. Although there are a couple of medical emergencies that take place in the course of events, they are not used to bring the father and son together so much as they exist to show how willing the son is to make some effort to sustain the old man. I don’t apologize for the way my father was but I do try to explain how he saw things and why I usually could take his side, sometimes even when he was wrong.  That was the tone that Forte manages to bring to the role. The character of his brother is a little less defined, but in his own way he conveys the same sort of attitude. Woody’s wife appears to be somewhat bitter and sarcastic and at times not very loving. She is also irreverent and fiercely committed to her husband despite the caustic surface. June Squibb is getting a lot of attention for her role and in the back seat of the car, as the brothers try to remove their parents from some of the situations they find themselves in, she and Dern are well matched older people who understand each others idiosyncrasies.

The pace of the film is slow, and there are some wild characters that might stretch credulity, although I have been to enough funerals and family functions to know that relatives can get crazy at times. The final resolution of the story is a bit of an indulgence for David to make but it is deeply satisfying despite the fact that those coincidences of timing on a late drive through town just are not likely.  The town is full of good folks and bad ones, and the idea is a solid answer to the heart of what Woody really needs. This is a terrific film that grows on you the longer you are immersed in it. The opening hour will test your patience but if you can be like David, the rewards in the end are worth it.

Traditional Top Ten for 2013

Happy New Year Everyone

Before I give you my listing, the three films that moved in and out of my top ten deserve to be mentioned as well. One last minute film bumped “Saving Mr. Banks” off the list. “About Time” was on the list at one point but was bumped by “Saving Mr. Banks”. “12 Years A Slave” is a fine film and hovered on the edge for me. Ultimately I was just not moved in the same ways that everyone else seems to be by it. The horrifying depiction of human cruelty may have suffered because I’m not sure how repeatable the experience is for me. This is not really a list of the “Best” films of the year, it simply represents my set of favorites. It is of course subjective, but I could enjoy seeing all of these multiple times. The original reviews are available by clicking on the posters shown below.

10.  42 

http://kirkhamclass.blogspot.com/2013/04/42.html

This is a social movement film that describes an important change in the American character and the greatness of one man. Jackie Robinson achieved his place in sports history not just because he was the first black player in the major leagues, but also because he was a great player and a courageous man. The story will probably be seen by many as too conventionally told but it hits all the important emotional points and it works on each of them. It also has the advantage of having my favorite movie poster of the year. The image to the left here depicts a baseball move, but look at Robinson’s right hand, it is raised and clutched in defiance. The fact that this horizontal activity is depicted vertically, makes it more interesting and maybe even symbolic. Harrison Ford gives a terrific performance as Branch Rickey, the baseball man who saw the future.

9. The World’s End

http://kirkhamclass.blogspot.com/2013/08/the-worlds-end.html

 This movie is on the list for one reason, it made me laugh and it made me laugh hard. I was chuckling all the way to the car after the movie was over and still laugh just thinking about it. Simon Pegg has become one of my favorites in the last few years. He has a comic persona but can play a good dramatic turn as well. I was late to “Shaun of the Dead” but “Hot Fuzz” was on my radar before it opened and i was there that first night. The idea that these films are in any way connected story wise is just part of the joke that everyone seems willing to go along with. The set up of the movie was excellent and the characters were played straight. When it takes a sharp turn two thirds of the way in, we are willing to go along because the characters were so strong to begin with. I know I will be watching ten or fifteen minutes of this every time I run across it, and I know that if I have the time, I will end up finishing it.

8. Drew: The Man Behind the Poster

http://kirkhamclass.blogspot.com/2013/10/drew-man-behind-poster.html

As a movie, this documentary about the illustrator Drew Struzan is pretty conventional. There are a lot of talking heads sharing opinions and telling stories. The fact that those talking heads belong to some of the greatest film makers of the last thirty years is what begins to tell you there is something different here. I looked forward to this movie for about a year before it opened. I love movie posters and I love poster art. Too many posters now are simply photoshop creations. Some of them are attractive but they are rarely artistic. Drew Struzan makes art. I’m not sure I know how one distinguishes illustrator from artist, but I am confident that Mr. Struzan is esteemed by people in both fields. The movie played at a film festival here in Southern California and that’s what allowed me to meet both the director and the subject. Each of them was gracious with the few moments i spent talking to them and it was a highlight of the year for me.

7. American Hustle

http://kirkhamclass.blogspot.com/2013/12/american-hustle.html

In terms of quality, this may be the best picture of the year. I thought it was extremely well written and turned an interesting historical event into an entertaining story with some clever additions of romance and “Sting” like story deception. As a collection of performers it would be difficult to find a cast that did a better overall job than this one. All of the major characters are effective in their roles with special attention going to Amy Adams and Jennifer Lawrence. These two women are the current generations version of Bette Davis and Barbara Stanwyck, sexy in non conventional ways and talented as all get out. This is director David O. Russells third film in a row to knock it out of the park, he is in the sweet spot of his career right now and we are lucky to be a part of it.

6. Evil Dead

http://kirkhamclass.blogspot.com/2013/04/evil-dead-2012.html

The thing that most scared me when I knew this was coming was that it would suck. The original “Evil Dead” is a touchstone horror classic from the 1980s and it was straight out frightening. The sequels went more for humor mixed with scares but the original practically invented the cabin in the woods genre of horror movies. The one thing that gave me some confidence was that the original film makers were overseeing the new crew and they would not want their legacy to be tainted. Some of the other sites I read did not like this but i thought it was everything I hoped it would be. There was gore in service of the story and characters, the effects are for the most part practical, there are some good subtle nods to the original without becoming campy and best of all, it was frightening.

5. The Conjuring

http://kirkhamclass.blogspot.com/2013/07/the-conjuring.htmlThat’s right, I’ve got two horror films on my ten favorite list and they are back to back. Where “Evil Dead” goes for the visceral horror, “The Conjuring” is more suspenseful and builds to it’s frights. There a smashing opening that seems to have little to do with the later events but of course in the end it will be connected for us. This is a moody, haunted house piece that does not reinvent the genre, it just does it’s job efficiently and with professionalism. There are CGI moments but they are used with restraint, which seems to be the main problem I have with most films in this genre, when it’s time for the boogie man to show up, it is often not as frightening and sometimes it is visually distracting.

4. Gravity

http://kirkhamclass.blogspot.com/2013/10/gravity.html

 This movie looks amazing. The images could convince you that it was filmed on location. I have seen a couple of pieces critical of the science or a storytelling technique or two, but those criticisms miss the bigger picture. This is an ambitious film, told on a grand scale about some of the most intimate feelings we as human beings have. While others have been beating the drum for Cate Blanchett as the best female performance of the year, I know in my heart and in my brain, that Sandra Bullock completely owns this move and this solar system. If you go to the movies to be wowed, than this is the movie to go to. It impressed me repeatedly. This is the kind of movie that 3D IMAX films were made for. I hope it will translate to other platforms because the story and the performance deserve equal attention to the look of the movie.

3. The Way, Way Back

http://kirkhamclass.blogspot.com/2013/07/the-way-way-back.html

One of those little movies that can, does. A coming of age story that has a few twists and a genuinely appealing performance from Sam Rockwell. The scenario is a little complicated but the story is conventional. The characters are incredibly real and the dialogue is full of sparkling insights about growing up and relationships. Allison Janey will slay you every time she opens her mouth. This is a funny film that has some genuine heart and the performances are winning. It crawled under my skin and just stayed there, daring me to try to rid myself of the warm happy feeling it gave me. I expect this to be a summer perennial at my house. 

2. Rush

http://kirkhamclass.blogspot.com/2013/10/rush.html

The real life story of a Formula One rivalry from more than thirty years ago did not seem to be something that I would fall in love with. I’m not a race fan and although I vaguely remember the incident, it was not of historical significance. None of that mattered once these characters came alive on screen. The fascinating point of the story is how competition compels us to make ourselves better and that competition means someone else is challenging us. The two lead actors are excellent and the race sequences are well staged. Somehow this movie pulled me in and as I sat in the theater after it was over, I could hardly contain my enthusiasm for the film. This movie has disappeared from most people’s radar for end of the year accolades, I say it easily is better than the new Scorsese film and equal to the other films that are being bandied around now. This is an adult film for grown ups who want to be intelligently entertained, not shocked or pandered to.

1. Mud

This film contains a more subtle performance from Matthew McConaughey than the one he gave in “Dallas Buyers Club”. I prefer it but both of those roles are terrific showpieces for an actor who has been slumming in rom-com world for far too long. Here’s the thing though, McConaughey’s performance is not the best one in the movie. That was provided to us by a child actor named Tye Sherida. Kids performances may be hard to gauge because sometimes they are just being kids and that’s all the part calls for. This was a lot more complicated and difficult and he pulled it off while being surrounded by a pretty impressive cast. This film came out in April and is now making the rounds on cable. Be sure to take some time to see it. The less you know about it, the more I think you will enjoy it. From the time I saw it, it was on the top of my list and nothing that has come since has been able to dislodge it.

http://kirkhamclass.blogspot.com/2013/05/mud.html

End of the Year Wrap Up

This year was certainly better than last year when it came to the diversity of quality films. I still worry that I see too many sequels and comic book based movies but I have to say there were several that I enjoyed quite a bit. When I get to the traditional top ten list later, I was surprised to see that there were no animated films near the top. Last year I had two and in 2010 I had three. Monsters University was as close as I could come and it was not that close. Also missing from my list will be a few surprises. I love Star Trek, but “Into Darkness” just missed the list. “Man of Steel” was one of my most highly anticipated films of 2013, and the more I think about it, the lower it drops in my esteem. “The Wolf of Wall Street” was not just a disappointment to me, it kinda ticked me off. Before I pass out my accolades to the movies of the last year, I want to comment a bit on my own blogging efforts.

I try to look at a variety of blog pages from people that I have encountered on line. I visit Keith and the Movies,  The Cinematic Katzenjammer, It Rains…You Get Wet, and Every 70s Movie on a daily basis. Several other bloggers also are worth visiting, I just don’ always have time every day, they include Morgan on Media, Citizen Charlie, And So It Begins, and Scopophilia Movies of the 60s, 70s,80s. Two of my favorite blogs however are not daily blogs, My Movies My Words is a project by a writer on the other side of the country and I enjoy Eric’s take on films but he posts when he can rather than on a regular schedule. Finally, Fogs Movie Reviews has discontinued publishing but Dan still has two years worth of posts that you can go back though and enjoy.  Many of these sites are more prolific than I could ever hope to be and some of the writers have a way with words and insights that frankly intimidate me a bit. I am however happy with what I manage to produce and by way of narcissistic-ally looking back over the year I producede this inventory.

Blog Record for KAMAD

I did some kind of post on all 89 trips to a movie theater that I made this year. That was a lot of AMC Stubbs reward points but also a lot of money spent.

69 New features released this year
11 Classics seen on the big screen years after their first appearance in theaters.
9 VLOG posts on the companion site
41 Posts that are not strictly reviews this includes blogathon reviews, MIWETS on Fogs and My page, and assorted commentaries on movie related issues.
341 Different films watched during the year. At least forty of those were watched a second time so I definately averaged more than a movie a day, even if I did not post on all of them.

A Few Favorite Posts

Not a top ten list but some of the Reviews or Commentaries I most enjoyed writing this year:

Ten Favorite Moments from 2012  A countdown of favorite moments from films in 2012, most of these moments lasted thirty seconds or less. It was fun to put together but the video quote from Piranha 3DD is missing because the film was taken down (Probably by my own daughters company).

      Shelby: Josh cut off his penis because something came out of my vagina.

Kirkham A Movie A Year  A quick visual trip though my 55 years on the planet.

   

My Secret Lair

King Kong Times 3  A personal reflection on the three versions of the story of the Eighth Wonder of the World.

Three Perfect Movies   Do yourself a favor and watch any of these gems that not everyone is aware of. If I ever need to cheer myself up, I put in one of these 3 movies and I am happy again almost immediately.

Happy Birthday Strother Martin A salute to one of the great character actors of all time, and a man that I knew slightly because he was related to me. (Visual Proof Included)

The Adventures of Robin Hood on the 75th Anniversary of its release. This is the original post and it still has the video links that were not copied to the Favorite film page.

Jaws: The Vlog Link  This link will take you to an epic forty-five minute video on the movie. I yak for about twenty minutes, There is a quick interview with some guys at the theater in costume and then Amanda and I debrief for about twenty minutes. A big investment of your time, but I had a blast doing it.

Top Ten 007 Movie Posters  I was inspired by Eric from “My Movies, My Words” and then was re-blogged by Michael at “It Rains …You Get Wet.” Another chance to talk about one of my favorite subjects, Bond, James Bond.

Not the Posters but a Laser Disc Re-Creation

Drew: The Man Behind the Poster  This may have been the film going highlight of the year. I got to meet the subject of the film and have a short conversation with both he and the director. Look for the movie either on DVD or Streaming, a fascinating look at a real artistic genius.


CK Secret Santa Blog a Thon  My secret Santa gave me a terrific classic to post on. If you go to the link there is also a link to the Cinematic Katzenjammer site that compiles all the secret Santa Reviews.

http://cinekatz.com/the-cks-not-so-secret-santa-review-swap-list-of-reviews/

Movies I Want Everyone to See  I was privileged to write for Fogs Movie Reviews for almost five months. This is the review I did for my wife’s favorite movie and one of the things I’m most proud of writing for that now closed site.

http://fogsmoviereviews.com/2013/08/20/movies-i-want-everyone-to-see-the-right-stuff-1983/

Next Up, the Traditional Top Ten List. Check back soon, it should be up sometime on January 1, 2014.

The Secret Life of Walter Mitty

The story idea of “The Secret Life of Walter Mitty” is a natural for movies. A quiet man leads a rich internal life compared to the mundane existence he eeks out every day. Back in 1947, the great Danny Kaye starred in a Goldwyn musical feature based on the story. There is two hours of entertainment that is fairly conventional and has a nostalgic charm to it that seems light and airy. This new take on the story is a lot more serious, it has a great contemporary song score (but it is not a musical), and despite having some darker themes, it is even more ephemeral than the Danny Kaye film.

Ben Stiller stars in and directed this mediation on loneliness and  fantasy. In this story, Walter is not really unfulfilled in his job, but he is wistful over lost opportunities and the absence of love in his life. It is his longing for romantic contact that drives him to live out a series of imaginary adventures that are then followed up with more real experiences. His interest of affection is not a glamorous music star or model, but rather a pretty co-worker, near his age with a pre-teen child. Walter’s main fantasy is not unreachable but all of the scenerios in which he sees himself or later actually experience, are far out of his ability to achieve. My daughter used the phrase “magical realism”, which is often associated with  the literary works of Gabriel Garcia Marquez. I know the concept has been used to describe films as well. “Chocolt”, “Amelie” and even “Groundhog Day” are examples. The most recent example of a film of this type would be “The Curious Case of Benjamin Button”. That film is deliberately referenced in this film, probably as a way of easing us into accepting that which is not logical but which makes the story more interesting and memorable.

The film moves quietly for the most part. It is punctuated with the kind of soft lyrical music you would find on an independent radio station or on NPR at night. The music sets the tone for the film, it is sometimes contemplative, sometimes exuberant but it is always controlled and tasteful. The movie story is the same way. there are bursts of visual craziness but they are simple passages in a longer,calmer plot line. As Walter moves from imagined adventures to real one, we begin to allow the outrageous concept of an everyday man doing the incredible, repeatedly, to be the norm. I think the music score has as much to do with this as the “magical realism” motif that the film adopts. 

If it were not for the presence of some spectacular visual sequences, which combine location work with CGI fx, this is a movie that could have been done on a shoestring budget. As it is, this is a big time studio picture directed at a holiday audience with an intention to have very broad appeal. From a story and performance point of view I think they largely succeed. Walter Mitty is an identifiable character and the woman he longs for, played by Kristen Wiig, seems a nice normal match for a romantic comedy. The fact that this is not a traditional romcom is what makes it appealing but it may also make it a target. I can imagine a world full of cynics, sharpening their knives to go after this lightweight entertainment. If you listen to them, believing the film is tired or not challenging, you will miss a nice experience at the movies. Not every film needs to achieve histrionic heights to be worthwhile.

This is a pleasant fantasy that has a few humorous moments and some beautiful imagery. The central performers are appealing and the story is told effectively. I think it might be a little long for such a souffle. Adults will be able to indulge the leisurely pace of the film, but younger audiences used to instant gratification and comic book action will probably notice the running time a little more than they should. The film has a few things to say but for the most part it just tries to show us how much life we can experience, if we just find sufficient motivation.

Die Hard/ Die Hard 2

Last night I saw “Die Hard” for easily the 50th time at least, but it was only the second time that I saw it on the big screen. It was part of a double feature (along with Die Hard 2) at the Egyptian Theater in Hollywood sponsored by the American Cinematheque. I don’t know that there needs to be much explanation here, “Die Hard” has been a family favorite since it came out. It is the same exact age as my youngest daughter who was also released on the world that week in 1988. It is second only to “Jaws” in her mind (although “Lawrence of Arabia” is rapidly climbing). We had a great time and it is on our annual Christmas viewing list. Some have challenged the right of “Die Hard” to be seen as a Christmas movie.Clearly the Cinematheque agrees with me.  Last year there was a Great Debate posting on Fogs Movie Reviews over that issue. I have included my comment below as the post for last nights film. (Die Hard 2 does not deserve the same defense as a Christmas movie)

Fogs my man, a valiant effort but in the long run futile. You have measured the indicators of Christmas in the film, but you have left untouched the themes of Christmas that make this a Christmas Movie. Let me get to those in just a moment. I would like to start with a sweeping refutation of the material you have presented. The evidence is excellent and I commend you on your attention to detail. My admiration for your willingness to take the time and count all the references, measure them and put them in a proportional context is very high. (The Commando Screen Shots are still your own personal gold standard but this comes close).
The fault is not in the evidence but in the reasoning. You never give us a standard by which we can measure the “Christmasness” of a movie. Does it have to have a fifty percent component? That would eliminate almost all Christmas films from consideration. Maybe it is the presence of key icons such as Santa, Rudolf, or God that make a movie a Christmas film. If that is the standard than Die Hard meets two of those requirements, the Santa Hat and Ho-Ho-Ho reference takes care of the secular element.

God appears in multiple sentences where the name Jesus or God are invoked, although not in a very Christmas like manner (Oh Christ, you know what I mean). If a percentage is significant enough to spice the movie, it may very well become a Christmas film much as the addition of a small amount of cinnamon or peppermint makes a latte a Christmas drink at Starbucks or a Christmas cookie in a stocking. 11.7% would be more than sufficient to render “Die Hard” a Christmas film.
The true reason that Die Hard is a Christmas film is the theme of the characters. The main characters have the same thread of redemption in them that “A Christmas Carol” has. The setting of the story at Christmas encourages the deep questioning of our selves much like the Christmas spirit encourages us all to ask why we are not as charitable and kind all the year long. The Christmas season provokes a contemplative thought process that might otherwise be dismissed during the rest of the year.
We have three characters that represent redemption, the kind that is life affirming and important especially during the holiday season. While redemption is certainly a theme in other films, it is the Christmas season that provokes the redemption of our characters here. Primary among these characters is our lead, John McClane himself. He is using the holiday as a justification to reach out to his wife by traveling all the way across the country to see his family in L.A.. The coke sniffing by Ellis and the casual workplace sex going on in the offices are a reminder that people in the work place take advantage of others during the holiday season. For many at that party it will be the only holiday spirit that they get. You know Ellis is not going home to cookies and carols with his family after the party. It is clear he’d like to be going home with some Holly wrapped around his tree. John sees this and gets angry, which drives a wedge between he and his wife just when his very actions of coming out to the coast started to bridge their gaps. Later, he does the best he can to save Ellis from himself, despite having plenty of motivation to be happy that he will be out of the picture. That is one of many redemptive acts. He gives Hans a chance on the roof, even though he doesn’t give him a loaded gun. Patience with a stranger is another act of redemption. His devotion to his wife is incredibly strong despite their estrangement, this is another. He consoles a fellow police officer that he has never seen, and takes him to his heart because Powell needs the support just as much as he needs Powell’s. That is an act of mutual redemption. All of this takes place during the Christmas season but more than that is influenced by the spirit of the season. No such redemption is being offered in the first sequel which is also set at Christmas, but for which you will not find many if any adherents of the premise that it is a Christmas movie.
Powell and Holly are the other characters who seek redemption and gain it because of the Holiday. Powell, gets involved in the whole set up because he was willing to work Christmas Eve. A sacrifice in part that is certainly brought on by his guilt over being a “desk jockey”. His reason for being behind a desk most of the time is tragic, the kind of tragedy that Christmas story themes are designed to help us confront. (It’s a Wonderful Life, A Christmas Carol, One Magic Christmas as illustrations). His holiday redemption is completed with his restoration to real cop by helping McClane in the tower, and rescuing them with the same act that had condemned him in the first place. Holly has let her home life suffer for her vanity at work and her pride in disagreeing with her husband. She stands up to Hans, that is an act of courage, she is given hope by the frustration of the terrorist/criminals, that is a restoration of her faith. Finally, she reclaims her married name at the end when she is being introduced to Powell, that is the sign of redemption in her marriage, much like Jimmy Stewart crying “Merry Christmas” after seeing what life would be like if he had never been born.
Hans and Thornburg are the Marley and Potter equivalents in this story. Each is selfish and indifferent to the suffering of others. Each is given opportunities to act in a manner that is consistent with the spirit of the holiday, and each rejects those chances. As a result, they each get a comeuppance that is commensurate with their acts. Hans gets shot and dropped off a building, and Thornburg is publicly humiliated. The spirit of Christmas in the form of a naughty or nice list is kept by the outcome of the story.
We are all on the nice list because this movie was left in our Christmas stocking for us. I know that we would not be discussing it here and now, if the Christmas theme were not an essential part of the plot. The very fact that we are having this discussion at Christmas time, 24 years after the movie came out is also proof of it’s lineage as a Christmas film.
You may still disagree if you like but to do so may put you on Santa’s naughty list. Merry Christmas.