Academy Conversations: The Adventures of Robin Hood

So a few weeks ago, I was given a heads up by one on my friends on line that my Favorite movie was to be a subject of a Special Presentation at the TCM Film Festival. I had unfortunately not planned well enough to go to the whole festival, an issue I hope to repair next year. After looking on line for individual tickets, I discovered that you have to line up for standby on the day of the event at the venue. The screening and discussion were scheduled for  9:15 on a Sunday morning, so I felt pretty confident that we could get in, but I was concerned about where we would be able to sit, and my wife has a little trouble navigating the steep walkways and dark stairs at the Egyptian Theater.  We trekked down to Hollywood and Arrived before 8:00, just to be sure. The parking lot attendant had not yet arrived and they were just putting up the Stand-by line directions for our screening, so we ended up one and two in line. Of course that is after all the VIPs, Pass holders and other Festival attendees have been let in. Fortunately, we had a guardian angel. My friend who had told me about the screening was also attending as a Festival Pass Holder. We made plans to meet before the movie.

Michael and I had never met in person before but he and I know each other well from our respective blogs. He had let me know that he would be wearing a distinctive shirt that day, much like carrying a book and a rose to meet Jimmy Stewart or Tom Hanks. As we waited at the front of the line (alone I might add), I saw him approaching and recognized the shirt immediately. He had just as easy a time finding me since my presence on the internet has a variety of pictures of me and he showed me the smiling image from my gmail account on his phone. After spending a few minutes talking about the Festival that he had been attending, he offered to save us some seats when he went in. I am so grateful to him for that kindness, it made it much easier for us to relax and the seats he picked out were easily accessible for my wonderful spouse who is on her second year of vertigo.

The program started up and we were introduced to two Academy Award winning legends, Craig Barron and Ben Burtt. They were in great form as they joked and talked about the festival and the movie. They had a wonderful presentation for us that reviewed the making of “The Adventures of Robin Hood”. It began with the well known story that originally Jimmy Cagney was cast in the role and the movie was to be more comedic. The director of the movie, William Keighley was replaced during the shoot and there was a clearer explanation of that than I have seen before. Craig Barron  made a point to note that Keighley had done all the work that had set up each of the main characters and that while his contribution is sometimes minimized, he really did have a substantial impact on the tone and look of the film. Being the Special effects guy, Barron led us through a visualization of the three color process used by Technicolor. There was a smooth use of tri-color graphics being merged to give us the spectacular color that then comes off of the screen. We also got a review of some of the matte work that was done for the picture. Both he and Burtt spent time out in the former Warner’s Ranch location, which is now a housing development and golf course, to try and locate the hills and set locations. They made the trip entertaining as all get out by referencing the celebrities that now occupy some of that space and revealing that they did get pulled over for speeding on the road that was earlier used by the raiding party at the end to sneak into Nottingham castle.

Ben Burtt took over for a while as the discussion shifted to the sound design process for the film. He began by looking at the location sound trucks that Warner’s used and he had a clever piece of history concerning the remaining trucks and their actual colors. You could hear the geek side come out in him as he longed to have one of those trucks for his own. The mock up version using a Chevy HHR looked cool but you could tell it would not have cut it as far as his lust was concerned. The most intriguing part of the tale involved his attempt to identify how the sounds of the arrows were made in the movie. There were very distinctive references in the original script to what the sound of the war arrows should be, and the effect on screen is amazingly appropriate. Burtt attempted a series of tests to try to lock down the source of the sound. Only someone as obsessed with sound as the designer of the sounds for the Star Wars films, could find this necessary and finally succeeded in discovering the truth. It turns out that the arrows used by the archery master on the film, had distinct feathering and the feathers were cut in a specific way which helped make the dramatic impact we hear from the screen. Michael shared with me a couple of secrets about velocity and rotation that made the talk more interesting as well. The next time the film gets remastered, updated, special presentation formatted or generally packaged to get fans to buy it again, I would strongly urge the producers track down a recoding of this talk, or have the two gentlemen recreate it, because it was splendid introduction to the movie itself.

After that great presentation, which was worth the trip down to Hollywood and the ticket price, all by itself, we got to take in a screening of “The Adventures of Robin Hood”. We could see and hear all of the elements that had just been talked about and of course we got to cheer for Errol Flynn. As each character arrived on screen there was applause from the audience and the reactions to the actors performances was as fresh as it might have been 76 years ago. Claude Raines picking at the pomegranate, Rathbone scowling with distaste at the mere presence of Robin, and Flynn’s maniacal gleam, right before the spear comes through the back of his seat, all of these set the audience ablaze with laughter and expectation. Even after seeing the film as many times as I have, I was able to notice things I missed before. The murderous Dickon was one of the men, robbed of his clothing and sent back in rags to Nottingham. He is in the background and I had not realized that he was in this sequence. I also heard the name of the tavern keeper where Marion finds the men of Sherwood and helps them plan his escape. The name was there every time I’ve seen it before but it stood out for some reason this time, Humility Prim.

The danger with a screening like this is that I will want to see films presented like this always. My life will disappear into a darkened theater even more often if I give in to this temptation. I should join the Cinematique, I need to plan the TCM Festival next year. I want to book some classic movie cruises in the future. The Brotherhood of the Popcorn should expect a membership application from me any day. OK, those are all dreams that I have. For now I have this recent experience, which included meeting a couple of fellow bloggers and finding out that one I was sure was a good guy, turned out to be just as thoughtful as I imagined.

Movies I Want Everyone to See: The Court Jester 1955

Time marches on and history sometimes fades into vague memory and then is forgotten. If I asked anyone in my classes if they know who Danny Kaye was, my guess is that a couple of hands would go in the air and the other twenty-five would look at me blankly. This is no fault of their own, there are so many good films to catch up on, and if you are a fan of the Golden age of Hollywood, you probably want to absorb some film noir, or catch up on classic westerns that you have missed. Heck, maybe you would even want to see some of the socially relevant classics of that time period; films like “On the Waterfront”, “Gentleman’s Agreement”, or “The Best Years of our Lives”. Who could fault you with so many wonderful choices? I don’t ever want this continuing column to be about scolding people for the films they have not yet found. My purpose is always to bring attention to a movie that I want others to share and enjoy. While Danny Kaye starred in dozens of movies and did television up till his death in 1987, it is this movie that makes me most love him. It is time for me to share the love.
“The Court Jester” is a twist on the “Robin Hood” story. A band of outlaws has formed a secret clan to protect the infant that is the true King of England. A group of not so noble Noblemen, has helped a usurper gain the crown and now they seek the last surviving blood heir to end that line. To make the comparison even more complete, the lead conspirator behind the false King is Sir Ravenhurst , played by Basil Rathbone in a part that mirrors his role in “The Adventures of Robin Hood”. The leader of the outlaw group, sworn to protect the true King is known as The Black Fox. Among the followers of the Fox is Hubert Hawkins, a performer in a traveling carnival who dreams of d erring do and the beautiful maid Jean. Danny Kaye is Hawkins, consigned to a role as laundryman to the Fox and nursemaid to the infant king. He and Jean seize an opportunity to place themselves inside the court to gain access to the castle on behalf of the Fox. The means for doing so and the complications that follow make “The Court Jester” a lively entertainment filled with hummable songs, repeatable dialogue and beautiful art direction. It is also comically loaded for bear, with enough ammunition to take down a grizzly. There are corny puns, slapstick physical bits and sly parody of the traditional swashbuckling forms. All of this delivered by one of the most unique screen entertainers of all time. Danny Kaye was a clown, but a suave clown and this is his circus.

Much of the humor derives from the fact that this is a mistaken identity plot.  To start, Hawkins assumes the part of Giacomo, a jester imported from Italy to entertain the new Royal family. John Carradine, the patriarch of the acting family, appears briefly as the jester that the outlaws hope to replace. Since no one at the court knows Giacomo by sight, they think they have the perfect cover.  There of course is a twist on the plot because the jester is also an assassin, brought in to quell rival nobles in palace intrigue. So the hero thinks he is playing a simple entertainer and Ravenhurst thinks the fake jester is his hired killer. The confusion  over character goes even more crazy when the Princess, seeking escape from the plans of her father the usurper, chooses the jester as a love interest. It involves hypnosis and subterfuge from the chief lady in waiting Griselda, played by Mildred Natwick, standing in for Una O’Conner. 
Rathbone is at his oily best, planning assasinations, plotting to thwart an alliance with a powerful baron, and in the end showing one more time that he was Hollywood’s premier fencer. He plays the straight man to Kaye’s clown so well that you might think they had worked vaudeville or Broadway together years before. Although his lines are never the punch lines, he manages to fit in with the clever word play and come off as a really sinister character at the same time. I suppose like Bond aficionados, who prefer the actor they first discovered 007 with, Baker Street Irregulars will identify with the Sherlock Holmes that helped them discover the great detective. For me, Rathbone will always be the perfect Sherlock. He was the quintessential villain for generations of fans of Errol Flynn and other swashbuckling stars of the era. His casting here is a sly nod at the familiarity with which he played those parts. 
Danny Kaye gets to play several different roles in the story, without ever changing the character he is portraying. As Hawkins, he is a bit nebbish and googie eyed around the outlaws he is working with. As Giacomo he plays suave lover and cunning conspirator sometimes in the same scene. Inevitably he will also get to play the hero but before that happens he must be the buffoon that everyone underestimates or mistakes for someone else.  When he puts on the raiment of the jester, he entertains the whole court as only a song and dance man like Kaye could. The lyrics and rhyming dialogue that Kaye performed were crafted with the assistance of his wife, composer Sylvia Fine.  The delivery was all Danny Kaye. He could take a couple of silly lines, perform them in a funny voice or accent and make them memorably hysterical. In this film the pies-ta resistance is the dilemia over which cup to drink from in the ceremony preceding a joust he is forced to engage in. I hope it doesn’t spoil the movie for you but I can’t resist including part of  that sequence here:
The villainous but lovely princess in the film was played by Angela Lansbury. Glynis Johns, who later played Mrs Banks in the film version of Mary Poppins, is a pretty sexy partner for Kaye as Maid Jean. Both of these actresses get to play off different versions of Kaye’s character and they are suitably bewitched or befuddled as the case may call for. The witch Griselda, who is both matron and victim to the Princess, manages to confound the whole scenario by giving Hawkins the illusion of a romantic Don Juan type and later, makes him into a fine swordsman, all at the snap of a finger. Of course fingers get snapped in awkward situations and the pantomime of Kaye bouncing back and forth between his persona’s is one of the gifts of

the movie. He has to go from dashing devil may care lover to confused spy, to heroic outlaw all in the blink of a moment. That is Danny Kaye’s gift to film, his ability to instantly convey an emotion or a state of mind in an instance. The only parallel I can think of among contemporary performers is Robin Williams in one of his milder comic riffs. In a few weeks, we will see Ben Stiller tackle the role of “Walter Mitty” a character from a short story, who visualized and led a vivid imaginary life. Danny Kaye played the part in a musical comedy back in 1947. I doubt that Stiller will be expected to be quite as elastic as the Danny Kaye version of the character, I also doubt that he would be willing to try. Kaye’s gift feels truly unique. It may be imitated but never duplicated. 

Film styles change and many movie lovers of today may not have the patience for the way narratives unfolded in traditional Hollywood fare. I also know that despite the frequent love of films adapted from stage musicals, many people can’t relate to this form of musical story telling. I find it magical and I want others to take a chance and give the movie an opportunity to charm you. Pay close attention to the lyrics, there are delightful puns and word play in most every line. The opening title credits are funny. I mean the text and the font, not just the picture and the words. I have been keeping a list of all the films I watched this year and this one appears three times already, and it was not in theaters. 
It’s up to you to decide to enhance your life and seek out one of the wonderful comic geniuses of the twentieth century. Don’t let the fact that this actor and his style of comedy are not en vogue prevent you from experiencing one of the best comedies of the 1950s and a terrific musical to boot. All you have to do is choose. Now will it be the Vessel With the Pestle or the Flagon with the Dragon? I know which I will choose, no wait wasn’t there a Chalice from the Palace? Oh Oh. 
Richard Kirkham is a lifelong movie enthusiast from Southern California. While embracing all genres of film making, he is especially moved to write about and share his memories of movies from his formative years, the glorious 1970s. His personal blog, featuring current film reviews as well as his Summers of the 1970s movie project, can be found at Kirkham A Movie A Day
A great Podcast with Danny Kayes Daughter on Warner Home Archives