Ernie & Emma (2026)

Unfortunately I missed the four screenings at our local Alamo Drafthouse where Bruce Campbell appeared and talked about the movie in person. They were all sold out and I was disappointed believing that I would never get a chance to see the film in a theater. Lucky for us our local Alamo chose to screen the film a couple of more times without Bruce and those screenings were not sold out.

Ernie and Emma is a mediation on Grief, but done with the typical Bruce Campbell wit. Bruce wrote and directed this film, and has been promoting it by appearing at screenings throughout the Alamo franchises. The movie is really going to appeal to a specific audience. It is designed for an aging demographic, and it approaches one of the most difficult dilemmas elderly people face, through humor and honesty.

I won’t pretend that the film is anything more than a slightly racier version of a Hallmark movie, but it wears its sincerity on its sleeve, and Bruce is giving it his all. The premise gives away the tone of the film immediately. The deceased Emma, has left a series of instructions for her husband, to distribute her ashes and bring closure to some of the events in their life. Along the way there are minor complications, a couple of reveals, and Bruce narrates as he drives through the idyllic town in Oregon where Ernie and Emma lived.

This is a self-financed film so we’re not all surprised that the locations may in fact be Campbell’s residence. The movie is shot well and edited competently, but it definitely feels like a modestly budgeted television production. Story is more important in the long run, and performances help sell the story quite a bit.

I think everyone will quite enjoy the art studio owner who accompanies Ernie on some of his ventures in the second half of the movie. You can see what’s coming a mile away but that doesn’t make it any less pleasant. There are also a couple of security guards that appear in the film, and rather than having them be a*# holes, they instead are interesting characters that you appreciate for having sensitivity to Ernie in his journey.

One of the ways that you can tell that this is a homegrown project is that when you get the credits at the end of the movie, you not only get a photo of the actors who appeared on the screen but there are images of the production designer, the cinematographer, the best boy and the key grip, and a whole bunch of other behind the scenes contributors to the film.

I wish Bruce all the luck in the world with this project, I know for him it is a labor of love. He is facing an unfortunate prognosis with his health , but he continues to be the shemp we have known him for over the past 50 years. If you get a chance to see Ernie and Emma, take it. It won’t change your life but it will make you enjoy your life a little bit more.

It-Chapter 1 (2017) Revisit-Panic! at the Paramount

I remember when this film first came out, the trailer consisted primarily of those moments when little Georgie meets Pennywise in the sewer. It’s a bold choice to take the best moment from your film and make it the trailer, but it certainly succeeded in getting people hyped for the movie and into Cinemas. I know I had a fairly positive reaction to the movie back when it came out and you can read about that here.

Our experience with “It” this last week was at the Bullock theater which is an IMAX screen, and claims to be the largest screen in the state of Texas. It’s not hard for me to believe, having been seated in that theater a number of times this last summer. This is another film that is part of the Paramount Theaters programming which has had to move for the year while they are under renovation. Seeing the movie in IMAX doesn’t hurt it at all, in fact I think it added quite a bit to my experience.

Of course I remembered the key scene that I mentioned above, but I was pleased to be reminded that it was not the only moment in the movie that “It” is effective. There are disturbing visualizations, a couple of very effective jump scares, and a sense of dread that runs throughout the movie. The sense of dread is not just dependent on our Supernatural monster, it is also present through human characters that threaten our group of young protagonists.

This film is only chapter 1 of the two part “It”  movie series. I do remember that this was the more effective of the two. I plan on following up, but that will be a home screening rather than a theatrical presentation. I was quite pleased to be able to experience this film again in a theater and this time when I say on the big screen, I mean on a big screen.

Posted by Richard Kirkham at 11:27 AM