Copshop

I did something today that is always fun, and sometimes pays off. I spun the wheel on what to see and went in blind to watch Copshop, the latest from director Joe Carnahan and actor producer Gerard Butler. I have seen a few of Carnahan’s films, my favorite of his is “The Grey”, the Liam Neeson Wolfpunching story from 2011. Butler has become the King of the “B” movie in the last few years, and he does in fact rule. I had no idea what the story involved, I’d not seen the trailer or read a review. I chose the film entirely based on the combination of these two talents. Boy am I glad I did. This is a tasty bit of nastiness that borrows heavily from the 1970s, and that is my jam.

When the credits start at the beginning of the film, I could swear I knew the music that was being played. It reminded me of a gritty 70s film like “The Taking of Pelham 1-2-3”. It sounded like a Dirty Harry score. Imagine my delight when I sat thru the end credits and confirmed that the theme music from this movie was basically “Magnum Force”, by Lalo Schifrin. There are a couple more music cues in the film that harking to the early seventies. The film does finally get to a contemporary pace and style in the climax, but first we are treated to a slow burn set up that reminded me of so many films from that earlier era that I love. We end up with two guys confined in a space and wonder how and why that are facing off. The ambiguity feels very much like some of those cop films of the dirty New York era but this is set in Nevada. 

This is a cross between “Report to the Commissioner” and “Assault on Precinct 13”. The two leads, Butler and Frank Grillo, are not good guys by any stretch of the imagination. Their showdown results in so much collateral damage that it will inspire books and movies for years if it really happened. It’s not the sort of John Wick violence where there are as many bodies as there are bullets, the dead do have some weight to them and so it feels a little more engaging from a story point of view, without the style of the modern shoot em ups that we have had in the last few years.  The best hook in the film however, is the third billed Alexis Louder, who is the real star of the film and I think is making a breakthrough with this part. She plays the cop in the middle, who adheres to a code of ethics and has the skills to fight back when needed. I thought her persona jumped off the screen from the first moment she appeared. 

It would not be fair to the supporting actors not to mention the good work they are doing in what is likely a film that most people will see as disposable. Ryan O’Nan, who will be familiar from several TV projects, is a feckless cop with corruption in his back pocket.   It is Toby Huss however who steals the show for villainy in the piece. I literally saw him in an episode of CSI just last night, but this character was very different. If the psychotic contact killer can be classified as the comic relief in a movie, than I will say that is the part that Huss plays. Anthony Lamb (not really subtle) is a competing killer, injected into the mix to add some spice, and boy does he. 

The film is not great, it has plot holes and unbelievable recoveries from gunshots that undermine any credibility. You won’t care however because it is entertaining as hell for those who like the plot to play out over the course of the film and not have everything handed to them is a series of fast cuts designed to get the adrenaline jumping. Butler does very limited action duty, and Grillo is not attempting any martial arts moves. This is a shootout at the end of a psychological puzzle, and it satisfied me completely. 

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