2019 Annual Jaws Event Jaws/Hard Ticket to Hawaii

Screenshot of the Facebook Page of the Egyptian Theater Last Night

As you can see, the fanatics were out last night to see the movie that many of us contend is the greatest film of all time. There were a lot of enthusiasts and a fine time was had by all with a brief interlude.

Every time I see Jaws,  which is usually three or four times a year, I pick up a little something extra. Last night for instance, I noticed the floral style center piece on Ellen Brody’s dining room table for the very first time.

The screening was an actual 35 mm print, struck from a wet gate negative [whatever that means] and frankly, it looked spectacular. The sound in a theater is also impressive and you can catch snippets of dialogue in the background that will be mostly lost even with a sophisticated home theater set up.

Nothing has changed in my evaluation of the film. It is Spielberg’s greatest accomplishment, even with the somewhat limited practical effects of the mechanical shark. Ben Gardner still manages to make me jump, even if it has happened a hundred times before, I’m not kidding, this is the film I have seen the most in my life and it is at a minimum a hundred times.

The brief interlude I mentioned before was the 7.1 Earthquake that happened in Southern California last night. Just as Hooper is arriving at the Brody residence for dinner, the Earth moved substantially.

The above is a small piece of plaster that fell from the ceiling on me during the quake. I did not see any big chunks, just some flakes here and there, this is maybe a 1/4 of an inch in size.

A few people got up and left the auditorium for a few minutes, most of us just covered our heads and rode it out. The projectionist stopped the film, rolled it back to the start of the scene, and after a ten minute break for us to collect our thoughts, the film started again. Still the biggest cheers in the audience were for Quint’s entrance at the council meeting and his exit from the Orca. The movie continues to work.

Before the film ran, the Cinematique played a bunch of Jaws related material, including trailers for all the sequels, several inferior knock offs, and some ads that used shark themed concepts to sell products from both 1975 and 2019. We also got a Baby Shark Sing along video.

Hard Ticket to Hawaii

I had never heard of this movie before, and I was only vaguely aware of Writer/Director Andy Sidaris, but now having experienced it, I am a fan. It is as cheesy as the trailer suggests and just as entertaining. Everybody seems to be having fun making this ridiculous secret agent film. Come on, it’s not enough that the snake is venomous, but it is also contaminated with chemicals fro cancer ridden rats that it ate.
Star Dona Spier was present to introduce the film and she signed books before the movie. I wish I’d gone out and bought one and had it signed, but not having seen the film I was hesitant. Now I will just live with regret. Also present was Arlene Sidaris, the producer of this movie and widow of the legendary film maker. She had some nice words about the movie and they introduced one of the behind the scenes tech crew who was in attendance at the screening.
This film is not politically correct in anyway. Andy Sidaris lampoons his previous role as a Wide World of Sports director, with the most insane interview of a quarterback you are likely to see on screen, and it has nothing to do with the story, it’s just funny in a pre-social justice world perspective.
Gloriously insane characters and hilariously awkward dialogue make this a must see for fans of cheepo action films. Unfortunately it has already been covered on “Exploding Helicopter” , I wish I had been the one to join Will in talking about it.

Wild Rose

There are dozens of movies about aspiring singers and bands that are worthy for you to see. Some are set in a different time, many in a different place but most of them that work, have a heart. Earlier this year, we got a biopic of Elton John and it is terrific, I think however, from an emotional perspective at least, it has been surpassed by this Scottish tale of a woman who feels that she is in the wrong place but the right voice. I worry when I see superlatives being bandied about in the trailers, because they can set your expectation up for disappointment. No need to worry here, Jessie Buckley is all that has been advertised and I hope she is singing the Oscar nominated song on the Academy Awards, right before she picks up her own award.

For forty years, I have asked students to share something about themselves in the first week of class. Overwhelmingly, one of the personal tidbits that gets dropped is their love for some kind of music. If I were to paraphrase a sentence that I heard nearly a half dozen times every semester it would be…”I like all kinds of music…except country”. Now there are plenty of students who did love country music, but I always found it fascinating how many try to distance themselves from an art form that seems so accessible to me. Maybe they subscribe to the stereotypes of the old songs, and don’t want to be seen as morose or too conventional. This is the sort of film that ought to convince them to see and listen to the world a bit differently. Country music as it is portrayed here is not dull, and it certainly applies to a youth culture as much if not more than an older generation.

Two films jumped into my head as I was watching this, “The Commitments” and “Sing Street”. Both featured music but very different kinds of music. Each story has a different theme, friendship, love, responsibility. Despite these difference, you may notice the story beats are very similar. After we are introduced to the characters, they reveal how talented they are, they overcome initial obstacles, they fail at the next obstacle, but ultimately redeem themselves with the promise of a future obstacle that they will be well equipped to manage. All stories will have some of these types of cliches, it’s unavoidable in fictional storytelling, these are the dramatic turns that make us follow the events. A movie succeeds when it makes these cliches feel real and presents them in a dramatically fulfilling manner. “Wild Rose” manages to do this just fine.

Rose as played by Jessie Buckley, is a headstrong woman who has great talent and ambition but has also made some bad decisions and lacks a sense of responsibility. She needs to grow up. The question concerns how she will manage to do that. Can she be the person she needs to be for her family, and still be the person she wants to be for herself? That is a question that all of us have to answer and it does not always turn out well. We can see that Rose wants to do right, but she does not know how to. She has the raw talent to succeed but lacks the discipline to make things work out the way she wants. Along the way she has a couple of allies and she doesn’t realize how much they want her to do the right things as well. Sophie Okenedo is a sympathetic employer who is moved by the music and the passion that Rose shares. Julie Walters is the Mother who wants her daughter to grow up and be the person she is capable of being, but she is tired of being an enabler for the bad choices her daughter is making.

The music is amazing in this film. Of course there are a variety of country standards and some obscure songs that pre-date the film, but there are a number of original songs written for the film, and all of the ones performed by Rose in the film were recorded by Jessie Buckley who has an amazing voice.

This will be on my end of the year list. Three chords and the truth.

Spider Man: Far From Home

In the post Avengers, “Infinity War” world, the superheros are going to be faced with threats that will have to be inventive, compelling and for the moment, short term. I don’t really know how you build a long term storyline without the universal destruction suggested by Thanos and that story is now history. The approach that the caretakers of the Marvel Universe are taking, seems to be the right one. They are taking time building stories around the remaining heroes and allowing them to be at the center of their own tales. Here and there will be connections to the large universe of super heroes, but for the moment they will bask in the spotlight alone. “Spider Man: Far From Home” does exactly this. Peter Parker and his complicated relationships are the main thrust of the story.

The after effects of the “snap” are briefly discussed as the plot unfolds, but there is virtually no impact of the five year gap between the Earth’s non blipped residents and those who blipped back. Two or three visual jokes that also make no sense but are fun anyway, help set a more light hearted tone for the film. Moving the action to Europe helps the movie feel fresher than had it remained in the States and there are some more opportunities for cross cultural humor as well. Even with the shadow of the Infinity War hanging over the planet, life seems to go on. With just a few tips of the hat to Iron Man, Spider Man takes the lead and reluctantly seems to be the lynch pin character for future interwoven multi-universe situations.

The enigmatic “Mysterio”, shows up to battle elemental monsters that have supposedly destroyed the Earth of his dimension and now threaten our own home world. Nick Fury wants Spider Man to step up and lead when it comes to handling new threats and Tony Stark has left a mini version of Ultron, with the acronym E.D.I.T.H., to help out. Once again, Stark’s ingenious is the source of  conflict in the MCU. Peter has to choose what kind of life or leadership role he is going to follow, and of course it will not be an easy choice or one without complications. “Mysterio” is portrayed by the always enjoyable Jake Gyllenhaal, himself a one-time candidate for the Spider Man role. Frankly, you will be aware that a twist is coming from the start of the story, how could you not expect it after so many previous experiences. When it arrives, there is a three minute or so narrative sequence that tries to make sense of it all. There are a dozen dangling strings from other MCU films that are tied together to create the new threat. I think the retcon that happened in “Spider Man: Homecoming” was a lot clearer and made more sense. If you look at this one too closely, it may not hold up as well. Especially since the villain acknowledges that Nick Fury is the most paranoid man on the planet.

The narrative here reminds me of the Happy Potter film “The Half Blood Prince”. So much of the background is taken up by the romantic lives of our protagonists that it may sometimes feel like a different movie. There are however a sufficient number of tie ins to the technology and plot to make those “romance” points still relevant to the main story. MJ and Ned are both at risk down the line and it works to make the threat to them more meaningful when the ominous agenda of the villain reveals itself. I do think that the bifurcated nature of the antagonist is a bit problematic, and the self awareness of his own delusional role in the Stark legacy means that he needs to be a pretty good actor. The film is a little meta when it is disclosed how we are all being fooled. maybe all the technicians who create these movies need to have a bit of glory but this was a weird way of showing us behind the curtain.

That curtain however is still pretty dazzling as the action sequences and special effects continue to show that people are working at the top levels to make these movies as believable as they can.  I also loved the attempt to divert attention from Spider Man by inventing a pseudonym for the character and then referring back to it in several spots, hilarious. The idea of Happy and May makes me giggle a bit and hope for the best for both of them. Happy gets more to do in this film than any of the previous MCU films his character has appeared in, and May, re-imagined as a younger but still mature woman, finally pays off. Good for Jon Favreau and Marissa Tomei. If you stick around for the credit sequences that have become a hallmark of these movies, you will get a long awaited cameo that is a great surprise. There is also a reveal that makes the meta theme of illusion even more meta. I’m not sure it was necessary, but it does tie in to some other MCU plotlines and its is a lot of fun. More than half the audience at out screening had already left when these two bits came up, and I don’t understand how people can do that, knowing that there are some punch lines or gut punches coming.

Saying that “Spider Man: Far From Home ” is not top self MCU in no way is meant to diminish the entertainment value of the film. You should enjoy yourself immensely. It is simply a fact that with so many variations of these characters and the number of movies they have appeared in, we inevitably will make comparisons. Tom Holland continues to work as a youthful Peter Parker even as he grows older playing the character, maybe he was in a real blip event. The other high school kids provide some humorous diversions, and I thought the teachers were quite funny but I can see some slap stick that may put others off. The first half of the film feels like it is exactly what it turns out to be, but the second half makes that pay off.