TCM FF Day 2 Part 4 Friday April 7

High Anxiety

I could have warned host Ben Mankiewicz that his notes would be worthless when interviewing Mel Brooks. I had the pleasure just a couple of months ago of watching Brooks participate in a presentation of Blazing Saddles. The man is a force of nature that cannot be controlled. The twenty or so minutes that Brooks was given was filled with laughter and applause. He repeated some of the same stories he told two months ago, but he added some new ones. I especially enjoyed hearing about his revenge on Harry Cohn and the pleading that was done on his behalf to keep his job.

High Anxiety is a pastiche of Hitchcock films that touches on several more than a dozen of the master’s works or characters. I’ve heard it said that it is one of his lesser accomplishments, but since the story and jokes have to borrow from so many well known sources to begin with, it is a real achievement that it feels like a regular film and not a parody like one of the Airplane! or Naked Gun films.

The cast of this movie was packed with the funniest of actors from the 1970s. Madeline Kahn should have a statute somewhere to commemorate the day she entered our motion picture world. Her rendition of Hitch’s icy blonde is spot on. Cloris Leachman has no vanity to serve when it comes to getting the laughs. He marble mouthed mustached nurse, is a nightmare version of the nightmare that was Mrs. Danvers seventy years ago. Harvey Korman was funny in almost everything he did and his fussy, emasculated psychiatrist is a character that can safely sit next to his role in Blazing Saddles.

Finally, Mel Brooks turns in a wonderful comedic performance as a psychiatrist with a major hang up that probably accounts for why he chose the profession in the first place. Brooks looks great in 1977, and could pull off a leading man role without having a matinee star like face. The two high points of the film for him are the shower scene where he effectively stands in for Janet leigh, and a musical turn at the piano bar. Brooks sells the title song as if it were part of the Great American Songbook, but also as a comic tune that sets the stage for events in the movie. The theme of this years Festival was Comedy, and this was one of the many films I saw that had the audience reeling. Of course they did get a big appitiezer to start the meal off with.

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