Beauty and the Beast (2017)

There is a world full of film bloggers who dislike the whole idea of live action remakes or reboots of classic animation films. They regularly let it be known that there is no need for a live action film, that the existing version is excellent and, “gasp”, the production of such a movie is a money grab. Well those are all ideas that I can sometimes understand, they often get bandied about without regard to the product for which those comments are intended. I try to hold my opinion until I see each film and I do my best to judge it by it’s own merits. That goal is exceptionally hard to achieve with the current “Beauty and the Beast”. The animated film from 1991 is beloved by many, and I include myself in that group. It holds a pivotal place in my nostalgia file, since my kids were the perfect ages to see that film when it came out and we lived on a steady diet of “B & B” video watches for almost five years. Although I try to avoid other reviews and certainly spoilers on line, it is hard to exclude them entirely, and I’d heard one of the regular guests on the Lambcast, knock this version for being lifeless. So although I wanted this film to be a success, it was with some slight trepidation that I approached the screening. To put it mildly, there is nothing to worry about, this film is solid.

 

The legend of the original animated design of Belle was that they wanted her to resemble Julia Roberts. I think we can dispense with that image. Emma Watson is a fantastic fit as the heroine of this story. She has the pluckiness that we want out proto-feminist character to deliver and the charm that we remember. I think her voice is very solid as a singer and the big numbers at the beginning of the movie are carried off with aplomb. She also seemed to develop some chemistry with the Beast, through hard work as an actor in some pretty well filled out sections of the film. The transformation from antagonist to friend and love interest was very believable in this version of the movie. I also thought her relationship with her father was more adult like and based in a long standing status rather than just being patronizing.

There are places in the film where there are additions to the well known story that I think work, but there are also a couple that seem unnecessary. I don’t know that the enchantress that places a spell on the castle and town, needs to be a character after the first sequence. I did like the fact that the town was included in the enchantment, which helps to explain a couple of minor inconsistencies in the ’91 animated film. The character of LeFou changes in a couple of ways. Much has been made of the character’s “identification”, and those that are bothered by that sort of thing will probably ind the slight bit of humor related to that offensive. I wonder if that alteration is the justification for turning the character into a more sympathetic figure toward the end of the film. As if an orientation transplant also requires a morality defense. It’s just a thought I had as I was considering the whole film. It doesn’t qualify or disqualify the movie for me.

 

Here and there are minor changes in scene and blocking. Gaston, as played very effectively by Luke Evans, is introduced in much the same manner but already as a suitor for Belle, in fact she has turned him down before. Their interactions have less of the comic effect than the animated film was able to achieve, and that is a small drawback, but the back story of Gaston as a soldier  makes some of his attitudes a little more sensible. His temper issue, which replaces the blackmail into marriage strategy of the animated version, is a lot more logical and it also justifies LeFou a bit more.  Another set of background issues concerns Maurice, Belle’s Father played by Kevin Kline. Instead of being an inventor, he is an artist, and some of his work is mechanical like clock making. I suppose it makes sense to enlarge the part if you are going to expand the film and hire an actor of this stature, but I don’t know that we needed to know all the history of their departure from Paris to the provincial areas.

The Beast himself, is seen early on as an adult, although they disguise his appearance a little for the reveal at the end. This was another place where the story gets expanded. It seems the young Prince, when denied maternal oversight became a reflection of his father. Not much was told to us about all of that, but because we get a little more of his origins, the library becomes more important as a way of connecting Belle and he. One of the minor criticisms of the animated film is the quick step to love that occurs. I think this is a little more realistic in timing, although it still happens faster than one might expect.

I may be an outlier on this film. On the podcast that I was a guest on today, two of the other participants were quite harsh in their judgments and the other was mildly enthusiastic. I’m all in, so take that for what it is worth. If you are interested in hearing the discussion, I will be posting a link when the podcast gets published. Until then, you are invited to be my guest, and enjoy this tale as old as time, without worrying that all those little people in the provincial town you find yourself in, will judge you too harshly.

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