Arthur the King (2024)

I have been a little negligent as of late, keeping up with my posts as quickly as possible after seeing the movie. This post comes four days after I saw this great family film, and I am sorry I can’t do more to promote the movie and save it from the discard pile that it appears to be headed for. Mark Wahlburg and a dog should be a sure thing for most family audiences, but I suspect that the sports based setting may not be as interesting to people on the big screen, since they see this weekly on their televisions. 

Frankly, I am a sucker for a dog movie. It is probably a good idea for me to create an inventory of films I have covered on the site that feature a canine co-star. A couple of years ago, Channing Tatum made his directorial debut with a dog film, simply named “Dog“. I liked that one quite well and it would make a good companion film for this movie. Both feature dogs that have some health and psychological issues, but one is a straight drama while this movie is an adventure film as well. There are some beautiful scenes of a race around the jungles of the Dominican Republic, but I did end up worrying about current events in Haiti, which shares the island with the setting of this movie. 

Wahlburg plays a long time race figure, who while widely respected, has never come in first in the grueling endurance challenges that these races present. After a humiliating loss, and a two year break, he attempts to return to competition, but his resources are low and sponsors are wary. As we watch him struggle to put together a team for the race, we also see a street dog, struggling to survive in the third world nation, frequently abused and usually starving. The back and forth between these two stories is a nice parallel which pays off in the second half of the movie. When the race starts, the two characters come together in a surprising way, and it would be nearly impossible to buy it, if it had not really happened. 

The race presents dramatic challenges, and the dog is included in these as the progress deepens. There are a lot of tense scenes and some lighter moments with the dog. The two both make sacrifices for each other, and at the end, the race results become less important than the survival story of a man’s hope in a dog’s lifeforce. Having recently lost a beloved pet, there were moments in the last act of the film, that I was not prepared for and which evoked some strong emotional responses from me. Even without this personal history, I think the turn that the film takes will be an emotional wallop for most audiences. In the long run, the less you know about the real story, the stronger the conclusion of this film will play.

Mark Wahlburg has become a very reliable actor, and his presence in a film like this makes the story work. Unfortunately, it looks like the audience is missing out on this, probably bad marketing decisions about the release date, and the fact that streaming is going to eat all of these kinds of movies alive in the next few years. Look, this will work on your television, but like most films, it will work better in a theater, and you should go see it now before it gets pushed off of the screens by whatever is coming next week.    

Elf 15th Anniversary

Frankly I’m not a big fan of Will Farrell. After the first five years of listening to him scream, I lost any sense that it was humorous. “Elf” came out right about the time I started feeling like this was too much. It did manage to channel that maniacal loud voice into something that was a little bit more charming and I remember having a pretty solid reaction to the film. Flash forward 15 years and I went to see it for a second time, this was also a regular theatrical screening, in acknowledgement of the Anniversary. I still enjoyed it, but there were moments that I wanted to look away.

The movie starts and ends with Bob Newhart so it has that going for it. I’ve always been a fan. It also features a supporting role from Mary Steenburgen, whom I’ve had a crush on since I first saw her in “Goin” South” in 1978. Finally, it also features Zooey Deschanel, right before she became America’s Manic Pixie Dream Girl of choice. She was much more subdued and she has a sweet, slightly flat singing voice that worked perfectly for what she was doing in this movie.

The parts that turned me off are mostly related to eating. The Coke chugging and belch are just annoying but the spaghetti with maple syrup was a bit too far and subsequently, the stakes get raised with added candy, chocolate and then hand shoveling it into one’s maw. Definitely not funny and more disgusting than some gore I’ve seen in a horror film. Just the thought of the gum scene makes my stomach turn. One other thing that did not work for me was Peter Dinklage going all Hulk Hogan on Buddy. Another scene that just misses for me entirely.

What does work however are Buddy’d antics in the mailroom, his rocket like arm in the snowball fight and the decorating he does. The Toy section at Gimbals was lovely, as was his Dad’s apartment after Buddy works it over. The relationship with James Caan feels like there is a scene missing but the emotional payoff at the end still worked for me. All of the cast singing “Here Comes Santa Claus” was just what I could use to help lift my Christmas spirits.

One other scene that works but will probably draw flack from the SJW out there. Buddy is so enamored of Jovie singing that he wanders into the ladies locker room. Not only is that a violation of her safe space, but the song she is singing and he joins in on is now notoriously labeled an ode to date rape. Sorry my friends, the song was perfect and the scene was really a sweet moment of innocence that was awkward because of society’s way of viewing the intrusion, rather than the guileless affection that Buddy is showing.  Over all a mixed experience for me, but I was glad to be out of the house for a couple of hours and it is a Christmas movie, so that helps.