The Conjuring: Last Rites (2025)

I have fallen three weeks behind on a couple of films, and my guilt is finally catching up with me, I need to get these done, so I will start with a pretty simple one. There are nine films in this universe of horror movies, but only three that focus on the Warrens as they try to help families deal with supernatural and evil hauntings. The original “The Conjuring” was one of my favorite films of 2013. I have seen some of the other films, but none of them has kept me as engaged as the original and the follow up . These have been the solid kinds of horror films that I always enjoy. The new and apparently final film in this specific series is for the most part effective and does the things you want a horror film to do.

There has been chatter among the LAMB community, about the slighting of the Smurl Family story in focusing on the Warrens in this film. I completely understand from an individual perspective, but since this is the third film in the direct line, and the Warrens are the tissue that connect the stories, I did not resent this refocus as much as some of my friends did. It is true, that the events in the house in Pennsylvania could have been to focus of the movie, but I have not read the stories and background on all of these cases, so I don’t know how sturdy the framework of the original experience would be in supporting a two hour feature. I also think that Vera Farmiga and Patrick Wilson have been troopers over the last dozen years, and it seems fair to give the characters they have given life to, a bit stronger part as a conclusion to their story.

You will find the requisite number of jump scares, moments of dread and special effects, that make up an accomplished horror film. This is not an indie movie, making due with a limited budget and a far out concept. “Last Rites” is a studio film, done with the resources needed to sell this as a major motion picture, but also directed with enough professional panache to feel like you are getting something that is not just formula. Director Michael Chavez might easily have fallen into that trap, as he did with a couple of the other films in the universe, neither of which has a great reputation. The convoluted story suggests some screen writing patchwork, but Chavez manages to get it to hang together, in spite of the bifurcated story structure.

It is not as if there are big surprises in store for you. This is not a twist based story. This is a character narrative with a haunting as the background. Because the Warrens are portrayed at the start and the ends of their careers as paranormal investigators, they are played by two sets of actors. The flashback cast looks solid enough to pass for younger versions of the leads, so that is a plus. Wilson and Farmiga both seem to relish these roles enough to put in some energy into what they are doing.  All of the other characters are solid but do not get much time to develop personalities that would make them compelling. The dad in the family will be defined by his jump scare moments, and the Warrens daughter will mostly be the puppet of the evil spirit. The young future son-in law has some screen charisma, so that helps as well.

From an audience perspective, this movie delivers what brings people to the theaters. Their sphincters will tighten for long periods, they will be grossed out or shocked a couple of times, and there are two solid jump scares to make you scream. It may not be perfect, or particularly original, but it is extremely competent technically, and the script issues will not matter in the long run. Have fun holding you popcorn and squirming in your seat.

The Conjuring 2

The original movie is now three years old and it remains one of my favorites in the horror genre. The spin-off story of “Annabelle” was not nearly as effective but it was not from the same director and it lacked the elements that “The Conjuring” had, mainly the Warrens , Ed and Lorraine, played by Patrick Wilson and Vera Farmiga. These two very sympathetic characters help make sense of the ghost story and allow the possession material to fit with the other scares in the last section of the first film. They are even more centrally involved in this new story and the result is a movie that is satisfying but not nearly as engaging as the predecessor.

These films both play the “Based on a True Story” game, and since the leads are supposed to represent actual historical figures, I guess it makes sense that they have to deal with some of the controversies they were involved with. Their involvement with the Amityville Horror case may be the crucial point at which you either accept or reject the legitimacy of their investigations. In this film, the opening makes reference to their involvement and there is a nicely creepy trance scene that recounts the horrors that precipitated the story that became so famous. When the Amityville case was later characterized as a hoax, it would seem to put a dent in the Warren’s credibility. That twist actually becomes an important plot point in this film, since the possibility of a hoax would keep the church out of the situation.

Very much as in the first film, we get a nicely paced introduction to a family that is struggling to make it through a divorce and tough economic times, this time in England. A mom and her four kids live in a dilapidated row house in Northern London, and strange things begin to happen. From the beginning of this story however, the possession angle is clear and there are lots of indicators that this is where the danger lies. The two young girls in the film, struggle to stay grounded but events really seem to push the idea that something supernatural is happening here. Unlike the earlier case, this event is being played out in public and there are a number of other “experts” involved in investigating and maybe helping the family. The Warrens are there as consultants but it does not take long for them to fully embrace the events and become part of the story themselves.

Horror films succeed on creativity, timing and a good sense of what creeps us out. This movie works those ideas well about 80% of the time. There are dark visions with horrific images that you know are going to give you a jump scare, but only if they are handled well. I think Director James Wan does a good job making the fright scenes he and his co-screenwriters put on paper. He is not always as successful with the drama outside of the scare scenes. Ed and Lorraine are good characters but sometimes they come off as a little too perfect. I did like the sequence where Ed helps the family calm down for a night with a little music, that was the most real moment that the two paranormal investigators have in the movie. The mumbo jumbo about having the name of the demon they seek to exorcise, comes out of nowhere as does the key to discovering the truth behind the events at the public housing house in Enfield Borough. The final sequence has a good taut climax without going over board on the effects.

By sticking to the principles of a good haunting story, and not getting carried away with CGI effects, the film sustains a sense of dread as well as personal empathy for the family involved. We are not put at too great a distance by the scope of the horror and we can understand the family’s desire to protect the kids as they are being attacked. The kids friends disappear from the film, and given the nature of the possession story, that makes sense. I did think that the loyalty of the family’s neighbors across the street was surprising, but maybe they could imagine that if something were not done to draw a line, they could easily have been in the same spot. I can’t see this making a year end “best of” list as the original did three years ago, but it is a worthy follow up and except for what seems like a slightly rushed resolution, a well made story.