Never Surrender: A Galaxy Quest Documentary

The producers of this film included a quote from Pulitzer Prize winning Playwright and Screenwriter David Mamet. The comment basically says there are only 4 perfect movies: The Godfather, A Place in the Sun, Dodsworth and Galaxy Quest. On that last one, I am certainly inclined to agree. This throw away movie that was sold as a kids film for the Christmas holidays is so much better than it has any right to be. For the twenty years since it was initially released, “Galaxy Quest” has grown in stature and seems to be beloved by millions who may have missed it on it’s first release.

This documentary traces the development of the movie and the twists and turns it took to become a cultural touchstone. This comes from a fan driven group and that makes perfect sense because “Galaxy Quest” is a love letter to fandom and it may well have cleared the path to widespread acceptance of geek culture in the broader population. “The Big Bang Theory” and the “MCU” would not have nearly the resonance they do if Galaxy Quest had not blazed the trail for them.

Like many documentaries, the movie is loaded with talking heads who recall the events and personalities that are part of the story. Every major surviving cast member is included in the conversations. Sigourney Weaver is effusive in he love for the project and how it allowed her to play a comedic role that she sees as a lot closer to her true persona than the iconic character of Ripley really is. Sam Rockwell was almost unknown when he took the part, after having turned it down several times. He reasoned that it might be a good piece of counter-programming to show his range as “The Green Mile” was coming out around the same time. Tim Allen  probably had his finest role as an actor playing the William Shatner inspired lead character.

The Producer, screenwriter, director, casting director, production designer, editor and composer all have stories to share about the film and many of them are hysterical. The movie is generously supplied with clips from Galaxy Quest itself, along with Star Trek moments and a variety of other material. There is also an elaborate thread about the fans of Galaxy Quest, and the documentary trails a couple of fans who cosplay their way across the universe in salute to this pitch perfect film. We get a chance to see how fans become part of the story and how they were the original inspiration for the film in the first place.

The climax of the film brings the fans and the makers of the movie together at a celebratory screening of the film. It just so happens that I was at that screening along with my wife, daughter and my Southern California blogging colleague Michael, who brought his daughter the the screening as well. I covered the showing two years ago with some more details. Last night when we saw the documentary, we were delighted to note that we make a guest star appearance in the film. Amanda’s Jaws shirt and my Hawaiian style blue shirt are clearly visible in the crowd scenes as the Thermains arrived for the screening of the film. I have been a long time fan of Galaxy Quest, I took the whole family as our Christmas day movie in 1999. One of the things I remember speaking to them all about was that the aspect ration of the film changed three times in the movie. It was nice to hear that confirmed by the director, since the DVD presentation does not always allow you to notice that change.

I’m not one to disagree with David Mamet. I think he is certainly right when he includes this movie on a list of perfect films. In fact I did the same thing six years ago on a post I entitled “Three Perfect Movies“. If you check it out you will see I was with Mamet on this one early on. The documentary was accompanied by a long introduction from the Fandom group that put it together. If it is ever available to people on line or in physical form, I hope they will include the interactions of the writers for the site and the “Honest Trailer” they put together for the film. They were quite entertaining as well.

Alien/Aliens Screening at the Egyptian Theater

The power of these two films is impossible to deny. Both films have been out for more nearly thirty plus years, both have extensive home video formats available. In fact, earlier in the day on Friday, as I walked through Sam’s Club, I saw the two films being sold in stand alone packages for a very moderate price. Last night, I ended up in the Stand-by line, hoping to get a seat to a screening of the films at the American Cinematique program at the Egyptian Theater. The program had sold out and the theater holds almost eight hundred people. Not bad for a couple of films that are older than my kids.

I have met my daughter after work for screenings in Hollywood, several times before. She works in Venice and we live in Glendora. Those of you not familiar with Southern California topography simply need to know these are opposite sides of L.A. County and Hollywood is somewhere in between. Usually, I drive down to the Egyptian Theater but since I was free in the afternoon yesterday, I availed myself of public transportation. I took the train to Union Station and then the subway to Hollywood and Highland, where I walked the two blocks to the theater. My phone rang as I entered the courtyard and it was Amanda, asking where I was. When I told her she asked if I was inside, because she did not see me, …for the two extra seconds that it took me to come around the corner. We had managed to simultaneously reach the box office from opposite ends of the world. Timing is everything. It was then that we discovered the movie was sold out and we waited in the Stand-by line. There were about thirty of us and several people bought tickets from others who had extras. That is finally how we got in, and ended up a little closer than we might have chosen otherwise but still in seats that were very workable.

The films were introduced by a guy from an effects based organization, I was negligent in getting his name or remembering the name of the group. Several seats were up front and it turns out that at the break we would be treated to a behind the scenes slide show of photos from the production of “Aliens” by some of the effects wizards behind the movie magic. So it was definitely something to look forward to. Our host asked the audience how many were seeing these films on the big screen for the first time, and I was surprised to see the hands of nearly two thirds of the audience go up. He shook his head and wondered out loud where all these people have been for the last thirty years. Anyway the films then began.

http://kirkhamclass.blogspot.com/2010/06/alien-1979-movie-day-day-11.htmlIt is a great experience to be able to contrast the styles and moods of the two films from a single screening. “Alien” is atmospheric and moody and builds a sense of tension slowly. It is a horror film, but one that is smart and creates suspense deliberately and with a dark style. This is the same theater where I first experienced the movie back in 1979 and it was fun to tease Amanda with that information, she gets tired of my nostalgic ramblings sometimes so it is a dad’s privilege to annoy a child with useless personal trivia from time to time. If you click on the image of the poster, it will take you to the original post I did from the Movie A Day project back in 2010.

The guests presenting the slide show between the film were quickly introduced, and I got only two names for sure. They were the Academy Award winning brothers Robert and Dennis Skotak, and they  shared several personal memories about the making of “Aliens”. Digital computer work was mostly new when they made the film with James Cameron. They had honed their craft working on Roger Corman films like “Battle Beyond the Stars” and “Galaxy of Terror”. Several of the pictures they shared showed them and young Mr. Cameron behind the scenes of those very modestly budgeted films. It was their experience on those pictures that allowed Cameron to make the film on the scale he envisioned for a budget almost half of what Fox thought it would need to be. In fact, that is why he got the job.

This shot taken from my seat shows how some of the props and sets were destroyed after the filming, because Pinewood Studios would charge a storage fee if they were left on the lot and sending them all back to Hollywood would have been too expensive. Film geeks everywhere will mourn the fact that the sleep pods from this film are not collectibles that they could buy on ebay and then put in their own bedrooms.

Like the special features programs on the home video versions of the films, last night’s discussion was filled with little details about the techniques used and the problems solved during filming. The secrets I heard about the loader that Ripley uses to battle the alien Queen at the end of the movie were really cool. The fact that Cameron himself designed the Alien Queen because they could not afford to hire H.R. Giger to do the job was also interesting.

The presentation went on for a good thirty or forty minutes. There were some other tech guys speaking as well and I am so sorry that I was not taking notes and can’t give them the credit they deserve for the work they did on the film and the kindness they showed for coming out lat night.

“Aliens” is a different creature than the first film. It has horror elements but it is basically an action film set on a different planet. The scenario and the look of the weapons are probably responsible for much of the design of modern video games like Halo. This is a shootum up in outer space. It does have a wonderful central spine concerning the relationship between Ripley and the young survivor Newt.

http://kirkhamamovieaday.blogspot.com/2013/03/aliens.htmlThe pacing and the music are two ways that the films are distinct. “Alien” unfolds slowly with a ethereal electronic score by my favorite film composer Jerry Goldsmith. James Horner’s much more bellicose, Academy nominated score, is a perfect fit for the action beats of the film and the G.I. based plot. The humor in the film is often provided by the Marine mentality of the troops versus the corporate thinking of Paul Reiser’s Burke. Bill Paxton provides fantastic comic relief and if you look at the mashup I included in my post on an “Aliens” screening from a couple of years ago, you will find it a great contrast to his character in “Edge of Tomorrow“.Again, if you click on the poster to the left, it will take you to the Vlogpost that I did on this film, if you have twelve minutes , I think you will enjoy.

One final note, Sigourney Weaver became a star with her role as Ripley in these films. She is the strong foundation on which these stories are built. She deserves all the credit she can get for making these two films favorites of movie fans from around the world. Pretend the other films in this series don’t exist and you will have a perfect pair of bookends with these two movies.