Paramount Summer Classic Film Series-Star Tek II: The Wrath of Khan

Once again we are back at the Paramount for another Summer Classic film. This time it was the first film of this season in the “Robert Rodriguez Presents Series”, “Star Trek II: The Wrath of Khan”. Local hero Director Robert Rodriguez chooses films that he was inspired by or has some connection to and then introduces them with behind the scenes stories and tidbits about the actors. The villain in this film was played by Ricardo Montalban, who made a couple of the “Spy Kids” movies with Rodriguez. The director noted how the question always comes up about Ricardo’s physique and whether he wore a prosthetic chest piece. That is in fact Montalban’s own chest, and the costume designer was so impressed with his appearance, they created costumes that accentuated his look.

Director Rodriguez also recounted the sad history of Montalban’s back injury and the surgery years later that confined him to a wheelchair. Of course movie magic allowed the actor to run in one of the “Spy Kids” films and that was a nice moment that he shared with us. The director has a long list of notes in a notebook that he refers to as he prowls the stage like a tiger, not from anxiety but rather enthusiasm. He surveyed the audience and found one person who saw Star Trek II when it opened, at the same theater he had done so back in San Antonio in 1982. That audience member was presented with a nice picture book about the making of the movie. I suspect it was also autographed by our host.

“The Wrath of Khan” was a follow up to “Star Trek the Motion Picture”, which was financially profitable but at a huge cost. The sequel was done with a miniscule budget in comparison, and the production was taken over by the TV unit of Paramount to hold down costs. Still, there are several great production moments in the movie, including the battles between the two starships and the Genesis Project video. There are several spots where shots are cribbed from the first movie but it is not egregious. The fact that “Khan” was a continuation of an original series episode was discussed and Rodriguez had edited together a ten minute version of the episode for us to watch before the movie.

You can read my thoughts on the movie here, and  here, and here. This is a movie that I adore and every chance to see it on the big screen should be jumped at. There are two things I would like to add about the screening. Robert Rodriguez explained that another way to save costs was by skipping the more expensive Jerry Goldsmith as the film composer and hiring James Horner. The future Academy Award winning composer was the go to Roger Corman and Star Trek II was his big break. Ironically, Director Nicolas Myer said he was hired because they could not afford Goldsmith, but when Meyer returned to the series for Star Trek VI, they could no longer afford Horner.

The other thing I wanted to mention was the beautiful artwork done by Bob Peak. The prolific film poster illustrator did images for all of the original cast movies, but his work on Trek II was superb. So good in fact, that I draped myself in it for the Sunday night show. 

Galaxy Quest Revisted

Last week I got to talk about The Princess Bride and add it to my list of perfect films. The original post that I wrote several years ago included three films that at the time I would classify as perfect. I haven’t changed my assessment of those films, but I continue to evolve in my appreciation of them every time I see them, and I got to see one of them again this week.

It’s been said that Galaxy Quest is the best Star Trek film ever made. I think that’s probably a correct assessment. Those things that we loved about Star Trek, the characters, the camaraderie, and all of the tropes that make up science fiction television of the 1960s are present in this send-up of a Star Trek type television show. The lead actor played by Tim Allen, is a thinly disguised version of William Shatner’s Captain Kirk. The outsized ego of the star, gets put in contrast to the attitudes of the secondary players and co-stars of the series. Sigourney Weaver gets a chance to play comedy, and boy does she nail it. She does let her wig do half the work however. Oh and her push-up bra. I’ll get to the work of the other actors in just a minute.

The thing that makes this film resonate so much with its loyal audience, is that it represents them not in a satirical way but in an affectionate one. We all know those fans who take the minor portions of the thing they love and obsess about them. In this film The “Questers” attend a fan convention and do the usual cosplay, and line up for autographs at $15 a pop. That episode of Saturday Night Live where William Shatner went off on the fans of Star Trek and told them to get a life, feels like it is the basis for several of the moments in the early part of the film. The  actors in the cast of the canceled TV series Galaxy Quest, struggle for relevance, while having to make do with personal appearances that cash in on their celebrity from their time on the show. When they are at the fan convention, they recognize for the most part that it is the fans who have sustained any career that they might have. When Tim Allen’s character Jason Nesmith goes off on a fan in the autograph line it, frustrates everybody else and surprises them. Even though they are all irritated that this is what their careers have been reduced to, they still recognize that the fans are sincere and care about them. None of them would want a fan to be disappointed. This film takes geek culture seriously while still mildly lampooning it. The fan boys and girls have their fantasies about the characters, read online sources for information about the show, and have a depth of knowledge that befuddles the cast of the show. It’s those very things that allow the Thermians to be perceived as fans instead of the aliens that they are. Jason has a private gig booked, and it was with some of the fans that he dissed at the convention, and he mistakes the Thermians for the group that he is supposed to visit.

Harold Ramis was supposed to be the director for the film, but he dropped out when Tim Allen was cast as the lead. He thought that this was the wrong move. In fact it was the perfect move because Allen was at the height of his TV Fame and was just crossing over into movies, and the confluence of those situations with the character that is written in the script is just perfection. Sometimes you just get lucky. Speaking of lucky, the supporting cast is so deep with talented actors that it’s a little ridiculous. Tony Shalhoub gets laughs with the mildest kind of expression on his face, looking a wee bit high and befuddled, but also extremely confident in some situations and frantically overmatched in others. I think the implication was that he was chemically treating his emotional issues, and that is reflected in the performance of his character. He is frankly hysterical. Of course hysterical is a relative term and if there is a level that is one step up from that, that is where you’ll find Sam Rockwell in this movie. Almost everything he says is a comic gem, and his desperation, fear and ultimate redemption add some real spark to the story as well as making the emotional heart of the movie even more solid. This may have been the first time I recognized Rockwell’s genius, and I have been enjoying it ever since. I can’t wait until next week when he stars in “Argyle”, the new movie from my favorite contemporary action director Matthew Vaughn.

Fandom is well represented by Justin Long as the leader of the fan group that has big questions for Jason, and is a little too obsessive about the technical readouts of their spaceship The Protector. If you have not seen the film and don’t know what I am referring to, I’m not going to try and explain it to you, this site has never been about simply restating the story for the readers. This is a movie that’s been out for 25 years now, and if you don’t know the premise, you’re just going to have to see it and then come back and read these comments to make sense of it all. Long has the earnestness of a young fan, and the whining voice of a frustrated teen when dealing with his mom. Enrico Colantoni, Patrick Breen, and Missy Pyle all score laughs at some point as the Thermians. At one point Raiin Wilson is in the film, but he disappears completely once we are on The Protector. 

The CGI may be a little wonky, after all it is 25 years ago, but none of that matters because the special effects in the original Star Trek were never great, and that never mattered. The value of these shows was in the characters and situations, not in the flash and visual extravaganzas that we get in so many science fiction films these days. I really enjoy the fact that the Thermians built their version of The Protector based on the television show, because some of the technology looks like an adoption of a game console, and some early computer technology. Exactly the kind of thing that might have been done on Star Trek. Even if it is sometimes just Christmas lights, the fans don’t really care because they came for the characters. Which is what I’ve been doing for the last 25 years with this terrific film. Alan Rickman, a comedic performance that is equal to all the dramatic work that he did in the later part of his career. “Galaxy Quest” along with “Robin Hood Prince of Thieves”, contain two of the most iconically hysterical comedic performances of the 1990s. Rickman is sorely missed, but we at least have this iteration of him to cherish in our memories.