Reagan (2024)

We unfortunately live in a world where any sort of political position seems to result in backlash instead of discussion. There shouldn’t be anything controversial about reviewing a biopic that covers the life of the 40th President of the United States. The man had a compelling story, starting with an impoverished childhood, running through the Golden Age of Hollywood, touching down on the Red Scare of the 50s, the counterculture of the 60s, and the threat of nuclear war as a result of the Cold War in the 1980s. The fact that there’s so much to talk about May in fact be the key weakness of this film. The script tries to cover so much of Reagan’s life and so many of the key events in his political career, that there’s not really much time to reflect on any of it. This plays like a slideshow reminder for people who lived through the era, and a set of bullet points for younger viewers who only know Reagan from their history books or memes on the internet.

As I said, I hesitate to even discuss the film because people will have knee-jerk reactions to the mere mention of a political figure. On one side you’ll have people who will react negatively simply because they identify with a different political philosophy. On the other side of course, worshipful fans might be too forgiving of the flaws of the film. Everyone will be looking to score some political points one way or the other from the movie. I remain committed to my goal of writing something about every film I see in a theater, so I’m not going to let the fear of opening a can of political worms keep me from putting some words down on this film.

Reagan is an interesting political figure because he was elected president with a 40 state Electoral College victory in 1980, and a 49 state victory in 1984. He was clearly a very popular president, and the film gives us several reasons to see why. The one thing that the film does which makes it worthwhile, is to focus on the character of the president, his sense of morality, and the ethos that drove him. Even if you don’t care for that sort of philosophical bent, I think you’ll have a better understanding of how it influenced Ronald Reagan over his lifetime. The other big thing that the film has going for it is the lead performance of Dennis Quaid. He’s not quite doing an impersonation of the well-known president, but he does get his cadence and intonation pretty well covered. He also presents him as a cheerful advocate for his positions, rather than the impenetrable wall that many biographers have found. If there is a weak performance in the film it is probably Penelope Ann Miller as Nancy Reagan. Her performance feels a little brittle and stagy. Sometimes she seems to be shouting when it’s not completely necessary. I’m sure she has Nancy Reagan’s unfailing love for Ronald Reagan completely covered, but whenever her character steps out of the romantic entanglement and into the larger political sphere, it feels overdone.

There’s a terrific supporting Cast in the film, many well-known character actors get a chance to shine in the spotlight during the course of the story. Nick Searcy is doing a great job as chief of staff James Baker. Xander Berkeley is George Schultz and Dan Lauria does a pretty reasonable impression of House Speaker Tip O’Neill. C. Thomas Howell is also in the film as part of Reagan’s Cadre of advisors. The most significant role in the film, for an actor playing a character part, is the former Russian analyst portrayed by John Voight, using an accent it is a lot more clear than the one he used in Anaconda. This plot line is really the backbone of the film, in spite of its fictionalized nature. His character is telling the story of Reagan from the perspective of an adversarial spy, after the events have already occurred, in an attempt to explain the significance of Reagan’s personality but especially his political ideology. Some of the things that get developed in the story might be the kinds of things that would justify some political shenanigans. This framing story however is not that central to the main character of the film.

Although the film comes from a specialty Film Production, the technical aspects of the film are very solid, and the effects, sets, and photography do not let down the professionalism of the movie. The story is a little schmaltzy because it is trying to cover the entire life of Reagan. It remains shallow as a consequence. I think this would have been a film which could be more successful artistically if it picked a significant event from Reagan’s presidency and connected it to maybe his early anti-communist stance. That’s the approach that Spielberg took with his Lincoln film, and it might have been a better choice for this movie. Regardless of the weaknesses of the script, I do think that the film achieves one of its objectives, namely making Ronald Reagan a real person for a large part of the audience that did not live in his times.

Midway (2019)

This was a movie that I really wish I’d gotten to for the Veteran’s Day Holiday. It is a no frills salute to the Navy forces that sustained the fight in the Pacific in the months after the attack on Pearl Harbor. It hews closely to the timeline of events and the key players in the Battle of Midway which happened just six months after the surprise attack and largely changed the fortunes of war for the American side. A combination of hard work, rage and intuitive luck resulted in a complete reversal of the naval status of the two nations in a very short time.

Director Roland Emmerich is known for the disaster films he has made. Whatever his dramatic limitations are, he knows how to blow things up and show destruction on a massive scale. With this subject he has found an effective outlet for his skillset. There is a reenactment of the attack on Pearl Harbor, the Doolittle raid on Tokyo and subsequent Japanese attacks on China and in the Corral Sea. All of this is a lead up to the title battle which takes up the last part of the film.

There is a narrative that focuses on the life of Navy flyer Dick Best, a real hero from the period. The fact that ther is a personal story however does not make this like the other war films you have seen over the years. We get just enough of his homelife and personal doubts to see that he is a human being in this large scale picture of the war. Similarly, there is a slight story about the intelligence officer who had warned about potential dangers at Pearl Harbor before the attack, and his subsequent work with code breakers to try and determine where the next big event would be. Actor Ed Skrein plays Best as a no nonsense family man who also is fearless enough to intimidate those he is in command of. Patrick Wilson plays the quiet intelligence guy who’s guilt over the Pearl Harbor mess forces him to challenge establishment thinking about the war.

There are not quite as many personal touches for the Japanese commanders but they are presented in honest ways, suggesting their commitment and honor in what is a truly tragic us of resources. This is not a propaganda film, it is an historical document of the events and it tries to steer clear of making one side or the other more virtuous, it simply tries to tell us what happened. As a history lesson it is pretty effective. It is not hard for us to follow events and see how the strategy for Midway was evolved by both sides. Of course the thing that makes it cinematic is the CGI spectacle that we see as the conflict plays out. It is clear that this is a CGI heavy film, the work is competent but it is at times noticeable. The scale of destruction that happens probably could not be presented any other way these days in a budget that is manageable. Unlike “Saving Private Ryan”, “Midway presents the destruction without all the visceral horror that modern effects and make up are capable of. There are a few scenes where fire injuries are shown but there are no closeups on the wounded and the dead which are meant to turn our stomachs. This is a film that largely could have been made in the 1950s for it’s sensibilities.

Woody Harrelson, Aaron Eckhart, and Dennis Quaid play major historical figures, but most of their work is really background, with only a little bit of drama involved. Once again, we are presented with a reason to be eternally grateful to the “Greatest Generation”.  As far as I’m concerned that is justification enough to see the movie. The history lesson is also solid and it makes this a film that could be appropriately shown as part of a school curriculum. The drama is soft pedaled but the hard fought war and the losses that it entailed are worth a visit.

A Dog’s Purpose

I am aware of the controversy that has cropped up leading to the release of this film and I will have a few comments at the end of the post. We are going to start with what made it to the screen first. There is an immediate way to recognize how the story  in the movie and the marketing of the film rely on the audience who loves dogs to simply show up. The name of the Director is never mentioned on the teaser poster, in the trailer, nor any material I’d seen leading up to the events this week. In fact, in most of the writing about the behind the scenes video clips that have leaked, they never said the name of the film’s director, it’s Lasse Hallström. This is a two time Academy Award nominated director, who has a string of well regarded movies on his resume, and there is not one “From the Director of…” tag lines to be seen in the studio material. It was not until the credits that I saw his name. This guy made “My Life as a Dog”, “The Cider House Rules”, “Chocolat” and a movie that I admired very much from just a couple of years ago, “The Hundred Foot Journey“. I can see why he was chosen to direct, and my guess is that his name will not put as many butts in the seats as a good picture of a dog.

People who love and own dogs will be able to identify with this film immediately. I think all of us have voiced our own dogs thoughts at least in our heads, but many, including me, have done it out loud with regularity. We anthropomorphize our animals all the time. With the right story line and voice casting, this movie should be catnip [yeah I know] to all the dog lovers out there. Who can resist the notion that our animals think about us and the things we do just they way we think about them. Comedic actor Josh Gad, who has several successful voice performances under his belt, manages to get the wistful, empathetic tone of a dog just right. “Bailey”, the lead character in our story, is just that kind of dog. The screenplay then provides several lives for “Baily” to lead, while clearly indicating which story is the main spine of this work.

Frankly, this movie could be just a kids film, but it is really much more. Let’s admit up front that it is an infernal machine. This device is designed to drain us of all moisture residing anywhere in our heads. Since the dog has several incarnations in the film, it is no spoiler to say that we get several on screen and off screen deaths of our hero. There are at least four times that a dog steps off the stage and it is likely to be accompanied by your tears. The dog is also a hero in the lives of most of his owners. He literally saves lives a couple of times, and also saves the heart of the people who’s lives he has entered. There are moments of dog/people love that will force your eyes to well up again. In his soft and warm voice, Gad provides “Bailey” with humor, pathos and an opportunity to consider the foibles of human existence.

The director manages to make all of this happen in an atmosphere that is usually great to look at, even when the environment is not very appealing. “Bailey’s” life as a German Shepard K-9 officer is not particularly warm except for two or three minutes. The warmth of the apartment and life he shares as a corgi is easier to relate to and see beauty in. It is however in the two most extended sequences, that pretty much bookend the story, that we can see Hallström do the thing that he is best at. He makes the countryside look like the farm life that city dwellers dream of and farm hands and rural types want their lives to be. Canada stands in for Michigan and the suburban scenes set in the sixties look like a fond memory of a mostly idyllic childhood. Ethan, the kid who loves and grows up with “Bailey” is played by three different actors. Both of the younger performers are engaging, but there are some story elements that are a bit much and they still seemed natural. The one place it fell down a bit was near the end of the first long segment. Ethan changes for various reasons but the performance does not quite get us there. It doesn’t matter too much because we are crying our eyes out at the dog’s story at that moment. This is a good piece of misdirection by the director from a plot point that feels a little artificial. In the last segment, things don’t start out so well for our canine hero, and this is another time when the director manages to let a few well placed shots and a montage of time convey the events in the story. We are spared an even uglier look at human behavior than we might have had otherwise.

Denis Quaid is Ethan all grown up. His story gets a bit short shrift. Ultimately we see that much like the other lives “Bailey” has come into, Ethan is lonely and in need. I was pleased to see Peggy Lipton in the film. I am currently re-watching “Twin Peaks” in preparation for it’s return this Spring, and Lipton as Norma is great. Her adult version of Hannah does not have a lot to do but it does work well with Mr. Quaid and it finishes off the movie in a way that should make audiences satisfied. My daughter read the book that the film is based on just last night. She told us after the movie about the ending of the book, and I’m glad that the film spared us another parting. There are just so many tears I can afford to surrender without having to give up my man card.

 

 

Addendum:

Now as for the controversy. The clips of the German Shepard in the water that have shown up on line are about the mildest form of “abuse” you can imagine. My dogs are more reluctant to get in the water at bath time and they are in greater danger than the canine star was. So either that makes me a heartlessly indifferent dog hater, or the world has gone mad with overly sensitized social media consumers. PETA, who is behind the boycott movement against this film, is an extremist organization that objects to animals being used for any entertainment purpose (or any other reason for that matter). It is in their interest to move mainstream thought on issues like this in their direction. Whales and Elephants are bigger targets (literally) but they have been more successful there. Pet ownership is something they also see as problematic. In a nation of pet owners, it’s hard to find a wedge issue to gain entry with. This is their opportunity to push the outside of the envelope. Ultimately I hope they fail because this movie is more likely to inspire responsible pet ownership and thus better treatment for dogs. The twisted logic of this “Animal Rights” organization deems anything which makes dog ownership seem appropriate, is undesirable.