I love it when a movie does exactly what it’s supposed to do for you. Some films have a very simple objective, to entertain you in the genre that they’re made in with the talent that is brought to bear. I can’t say that every Jason Statham film I’ve seen has been satisfactory, but the majority of them fall into that category, and with “The Beekeeper”, the average is going to go way up, because this film is exactly what it sets out to be.

As usual Jason Statham is wreaking revenge on individuals who strongly deserve to be punished. There is virtually no attempt to add humor to the story, or to make it dramatically deep, at least not past the requisite set up. Statham plays a man who has retired to take up beekeeping in its literal form, after serving in a Secret Agency where he was referred to as a Beekeeper, primarily to protect the hive when things go wrong. It’s an agency so Secret that even the director of the CIA has little information about it, and that turns out to be a big part of the story.

Maybe someday Jason Statham will be recognized as an actor with Incredible thespian skills, but until that day he should definitely be recognized for his action star persona and credentials. Statham is a one-man Wrecking Crew, much like Bruce Lee in those early kung fu movies where he would take on an army of opponents and single-handedly crush them all, Statham does the same thing.  He usually uses his martial arts skills, he certainly does not limit himself to hand to hand combat. He is perfectly willing and able to engage in Small Arms combat, sabotage, booby traps, and assorted other violence to get his way. In this film Statham plays Adam Clay, which may or may not be his real name but it doesn’t matter, what does matter is that he was a beekeeper. The beekeepers are warriors that make the SEAL Teams,  the Army Rangers, and assorted CIA Black Ops look like sissies by comparison. They strike fear into the hearts of even the most hardened assassins, and the antagonists in this film have crossed paths with maybe the most dangerous of the beekeepers. You know this is not going to end well for them.

It might be good to think of Adam Clay as The Terminator, because he is an Unstoppable Force that can’t be bargained with,  that will never stop and absolutely will reach its goal. Fortunately for us, in this film, the Terminator is the good guy, and we can applaud the way he knocks down the pins that the bad guys represent to this bowling ball of a human being. Basically he hits a strike every time and the pins fall with mechanical precision in interesting ways each and every scene. John Wick would do most of this work with his gun, Adam clay does most of his with his fists, feet , elbows, and head. And when those don’t work he’ll find a gun or a flamethrower or some other handy tool that he can use to kick some more ass.

If the film needs any weight, it gets it from Phillicia Rashad in the opening section as an older woman who has offered Clay some assistance in his transition to actually taking care of beehives instead of international intrigue. When she is the victim of cybercrime, the perpetrators have crossed the wrong path and Statham is on them relentlessly. It doesn’t hurt that three of the villains are so smarmy that you want to kick their ass yourself. And when they finally get their individual comeuppance, let’s just say, it’s the kind of satisfaction that people like me, who treat “Taken” as high art, are going to be applauding.

Jeremy Irons also lends some credibility to the film as the former CIA director who is tangentially connected to the Enterprise that ripped off Adam Clay’s friend. He also knows what’s coming, and half the fun of the movie is watching people who think they understand what they’re getting into discovering that they are in way over their head. When Statham shows up at a call center with two gas cans and he tells everybody that he’s going to burn the place down, you can bet that it’s going to seem incredulous at first as if it can be laughed off. But when he proceeds to do it we’re going to smile and think, hell yeah that’s the way to handle a Consumer complaint.

This movie is not going to receive any awards for its dramatic integrity, but if the Academy finally caves and creates an award for stunts, then there’s a good chance a film like this would get some appreciation. When these sorts of films are providing the backbone for keeping movie theaters in operation and for acting as tent poles for the rest of the theatrical releases by the major Studios, then it seems it would be an appropriate time to maybe have a category at the Academy Awards for face punching, ass kicking, straight shooting, and generally amazing creative fight sequences.