Long Shot

One way that you can tell that Charlize Theron is a great actress is that you can believe she has fallen for Seth Rogan in this movie. Of course it plays to some of the worst traditional chauvinist fantasies that a beautiful woman can be in love with a shlub like this, but you know what, it works because the actress sells the idea and plays it in a low key manner with just the right amount of trepidation to start with and then a full blown commitment.

This is a romantic comedy filtered through the irreverent humor that typifies movies with Seth Rogan. The premise seems like it is something that should not work in the real world but we do have the American Political situation as it is, so it seems plausible. The President has decided not to seek a second term and is willing to endorse his Secretary of State to replace him. She would be the first female President and her background will be a point of contention in the election. Masters of Analytics have assessed her on her qualities and they need to punch up her humor numbers. Theron is the Secretary of State and Rogan is a long ago neighbor who happens to be an acerbic writer with some wit. After they connect by accident she chooses him to help craft her voice and make more of her points in an amusing way.

This is sort of the flip side of “The American President” with a little bit of “The Contender” thrown in. Layer on a big helping of “There’s Something About Mary” and you will understand what you are getting into. It is formulaic, but there are tweaks to the formula that are outrageous and make the movie funny in a way that we probably should not be laughing about. Rogan is presented as a clown at first, bumbling his way into the scene by making stupid mistakes. Theron is overworked, idealistic and ambitious, all things that typify a woman in the world of politics. Still, there are bits that are amusing before the two start to fall for each other. I loved the micro naps that Theron’s character indulges in, and Rogan’s mode of dress is infantile to begin with. Once they are thrown together and the sexual part of the relationship begins, the humor becomes more coarse. Frankly, the ultimate threat the couple faces from hacked footage on his computer is something that goes over the top, but “There’s Something About Mary” is over twenty years old now, so it will probably be old hat for audiences weaned on that sort of humor.

O’Shea Jackson Jr. plays Rogan’s best friend and he gets to have a moment that I never thought I would see in a Hollywood film. The two of them discuss politics at one point and Jackson’s character reveals something about himself and cogently explains his position and it is a moment of sanity about how the world ought to be. The willingness to look at other points of view is what allows us to function as a society, and this film acknowledges, even if it is for humorous purposes, that this is not the way politics currently functions. I don’t want to suggest that this is a serious political film but it does have some interesting themes and that is one of them.

In the end, your enjoyment of the movie will depend on your tolerance for the romantic comedy beats that make up the genre, and your willingness to care for the characters. I was won over despite feeling that both characters were a bit self centered to begin with. I liked the way their past is woven into the story to make them a bit more real, and the awkwardness of their attraction is not ignored by either of the characters. A real romantic partnership exists when the two people complement one another in the ways that their partners need them to. It may be a cliche when Jerry Maguire says in the romantic climax of that film, “You complete me,” but it is true of real love and that felt like it worked here.

Central Intelligence

 

Let’s start with a little critical thinking lesson. Sign reasoning is the basic concept that is easily explained by the old phrase, “If it looks like a duck, and it quacks like a duck, and it walks like a duck… than it’s probably a duck.”  Now here is where the critical thinking comes in, how certain is the relationship between the signs and the conclusion?  Today’s movie offers us several signs that it is a problem, before a single moment of the film runs. First, it’s a mismatched buddy film featuring a C.I.A. plot. Second, the trailer features a cheap CGI joke about a fat kid singing in the shower getting bullied. Third, it stars Kevin Hart, a comedian and actor that I have rarely found to be funny. You put those things together and the conclusion is that this film is a piece of crap. To test the validity of the conclusion we might look for other signs that would reinforce the original point. For a guy like me, who grew up in the golden ages of poster art, the visual image on the poster, with the bright yellow background screams “Turd”.

Now, let’s point out the weakness of this conclusion using the other tests of sign reasoning, are there any contradictory signs?  Before seeing a frame of the movie, I can say there are two signs that might undermine the conclusion above. First, Kevin Hart is balanced out by Dwayne “The Rock” Johnson. Maybe you haven’t noticed yet but “The Rock” has become a legitimate movie star and he exudes charisma in everything he’s been in.  [As a caveat to the argument, he has been in a lot of crappy pictures, but they were not bad because of him.] Second, the marketing team has had one great idea to sell this film with, a pun based on the names of the two stars. It’s not much but I’m a Dad and everyone knows that Dad’s like bad puns. In one of my classes this last quarter, I had a student take it upon himself to keep a tally of all the bad puns I made in class. He had me over 150, which for a class that meets twice a week averages almost 4 bad puns an hour, and by the way, more than 40% of class time is taken up by student performance, so if we calculate based on my speaking time the average is well over ten an hour. Which explains why I appreciated the “Little Hart/Big Johnson” tag line, despite it’s low brow approach.

Drawing inferences from the above issues, I think it is safe to say I probably would stay away from a film like this for the most part. So how, you might ask, did I end up seeing it?  Now it’s time for a little cause-effect reasoning. It’s hot here this weekend, and the theater is cold. Also, “Finding Dory” is off limits until my daughter can go with us. Finally, a little disjunctive deductive reasoning, my alternatives for the time we had were “Warcraft” “X-Men Apocalypse” “Now You See Me 2” and “Me Without You”. I barely escaped the wheelchair love story, and everything else looked worse.

Having rationalized my way into the film, “How was it?” The answer is, …not as bad as you might think. Although Kevin Hart did not do much for me, he did not undermine the film and there were a couple of places where he delivered a pretty fair line or two. I could have done without the string of dialogue he throws out when describing his character as being scarred “S***less”, but maybe his audience likes that kind of humor. Johnson on the other hand seems to be having a ball, and he actually conveys a series of convincing emotions, which are supposed to be contradictory because we are not really supposed to understand his real character. It’s all very convoluted and not important except to say that once again, the man once known as “The Rock” is worth every penny he was paid to be a part of this film.

The movie trades on cliches in some deliberate ways, but it also repeats some cliches without the irony that would make them less likely to choke us. There are two surprise cameo appearances and both actors add a little something to the film that it needed to avoid being dreck. I was pleasantly surprised by last year’s “Spy” which covers some of the same territory. This is not quite as satisfying and I can’t recommend it highly, but if you have no air conditioning, and you want a couple of laughs, this film will kill two hours and not too many brain cells.