KAMAD Throwback Thursdays 1975 “Lucky Lady”

Throwback Thursday #TBT

Throwback Thursday on the KAMAD site will be a regular occurrence in the next year. As a motivational project, to make sure I am working on something, even in a week where I don’t see a new film in a theater, I am going to post on movies from 1975. Along with 1984, this is one of my favorite years for movies and it is full of bittersweet memories as well. 1975 was my Senior Year in High School and my Freshman Year in College. The greatest film of the last 60 years came out in 1975, as well as dozens of great and not so great cinematic endeavors. Most of the films in this weekly series will have been seen in a theater in 1975, but there are several that I only caught up with later. I hope you all enjoy. 

Lucky Lady

Three big stars, on a boat, in 1975, that’s a hit right?, Only if you add a shark, otherwise you have the misbegotten and mostly forgotten “Lucky Lady”, an action romantic comedy adventure starring Academy Award winning actor Gene Hackman, Academy Award winning Actress Liza Minelli and soon to be Number One Box Office star in the world Burt Reynolds. You wonder how it could wrong, well let me count the ways.

To begin with, the director Stanley Donen was probably wrong for this kind of picture, although at first blush it seemed like he would be perfect for it. Donen had directed some of the greatest movie musicals of the 1950s, including “Singin’ in the Rain” and “Seven Brides for Seven Brothers”. Liza Minelli had recently won her Academy Award for a musical drama set in the 1930’s, “Cabaret” and she was a friend of Donen’s so it seemed like a good fit. There is a musical number at the start of this film. This part is right up his alley. Unfortunately, that sequence is only 2 minutes of a movie that ran a hundred and twenty-five minutes. Most of the film takes place on boats and you know, that ain’t easy to get right.

The second problem is that the film can’t quite balance the tone. Is this a slapstick nostalgia piece, is it an action film with gangsters shooting it out, or is it a romantic comedy with a ménages à trois as it’s centerpiece? It tries to be all of those things and never hits the right amount of any one element. There were several films in the 1970s that were set in the depression era, gangster films and some others, but there were two that seemed most likely to have inspired Twentieth Century Fox to back this project: “Paper Moon” and “The Sting”. Both of those films managed to get the hardscrabble era right, with a good amount of humor, but not turning it into a cartoon. This script by the married duo Willard Huyck and Gloria Katz, is all over the place and Donen compounds the problem by having the lead actors playing it for laughs, in the face of machine guns mowing down people left and right. Burt Reynolds mugging, Gene Hackman aw shucking, and Liza sometimes sincere and sometimes shrill.  

In “The Sting” and “Paper Moon”, everyone is playing it straight. Sure there are a couple of double take looks by Redford when shooting takes place in the story, but you feel the stakes are real. Ryan O’Neal is in serious danger from John Hillerman and his thugs in “Paper Moon”. Hillerman is one of the bad guys in this film, but you never feel  like the main characters are at risk. Reynolds is taking pratfalls during the action and Hackman is aiding and abetting in all of that jocularity in the face of killers. Maybe you can get away with that in “Some Like It Hot” but the premise there is comedic to begin with as the leads are cross dressing to escape the gangsters. It simply doesn’t work here. Especially, when the young companion of the three, gets shot to pieces and we see it with squibs and everything. The joke won’t work in these circumstances.

Both Gene Hackman and Burt Reynolds had four movies that they starred in during 1975. They were clearly very busy. I will be covering at least four of those other seven films during the yearlong project here. One of the co-stars in this picture was also in four movies in 1975. Geoffrey Lewis plays the captain of a Coast Guard ship that tries to stop the rum running scheme of the three main characters. This part was all bluster and buffoonery, even when he is pointing machine guns and shotguns on the two men and ordering his crew to basically murder them. This feckless character might work is the violence in the film was all cartoon like, but in the big climax, dozens of people are getting killed. 

The film was given at least three different endings, one of which involved the demise of the two male leads. But having tried to make this a light hearted romp thru bootlegging, that downer of an ending was dropped for something more in keeping with 80% of the film we have been watching. The big sea battle that is the finale of the picture would have made more sense if the eastern syndicate had been pitied against some of these other independent groups earlier in the film. Otherwise, as it seems in the film, they come out of nowhere at the end. In “The Sting” we get a sense of the community of con artists who have come together to take down the bad guy. No such connection was established in this script. 

I can’t quite criticize the cinematography, it seems like it should be a good looking movie, and 

Geoffrey Unsworth, a two time Academy Award winning Director of Photography, had just done “Cabaret” and “Murder on the Orient Express” , two terrific looking period pieces. The problem is, the print I viewed this movie on was from a out of print DVD, that seemed to be badly in need of a remaster. This film is not available to stream anywhere, I had to go to ebay to find a DVD. It looks like it never had a home video release until the 2011 Shout Factory DVD. So though the whole VHS era, this movie was missing. That will tell you how forgotten it must have been.

This was a blind spot for me from 1975. I never saw this film before today, in spite of the fact that it features my favorite actor and it came out in my favorite film year. This was a Christmas release and Christmas 1975 was a tough time for us that year. I was in my first year at college and my schedule with the debate team kept me busy. It slipped by because it bombed and I never caught up with it until now.

Burt Reynolds Films on KAMAD

Burt Reynolds passed this last week and no film blog focusing on the 1970s would exist without several of his films. He was the number one box office star for a period and often a fine actor. He was also a director and he made some solid genre films that everyone should check out at some point. This is just a list of films that I have a post on and I’ve collected them in one place for you to connect with.

Rest in Peace Burt.

Amanda’s Review


TCMFF Coverage


TCM FF: The Longest Yard

longest_yardIt’s unfortunate that Burt Reynolds had to cancel on the Film Festival this year. I heard someone say there was an illness but I never saw an official explanation. He was scheduled to do one of the up close interviews and his would have made a great companion piece to run through the year to the Faye Dunnaway interview that did get done. The 80 year old star is an under rated actor in my view and he was a fixture on the film scene in the 1970s. Some fans of classic films might cut the date off for “Classics” nearly a decade earlier than this movie was released. I do see that it is a different era but I also have a broader version of the phrase “Classic Film”.

Producer Albert S. Ruddy, who won the Academy Award for Best Picture with “The Godfather” and “Million Dollar Baby”, did make it to the presentation and he puts forward a persuasive argument that this movie was substantially responsible for the wave of sports films that followed in the next few years. The underdog story is in fact a theme of this film but it turns out to be a lot deeper as well. I remember seeing this with my buddy Art Franz at the Garfield Theater in my home town of Alhambra. At the time it was the funniest adult style comedy I’d seen and it still holds up today. On my original project of Summer Movies from the 70s, my daughter wrote about this film for me while I was on a cruse to Alaska. It was nice to get to see it with her in a theater and watch her have the same kind of emotional reaction to the game as she described in her post almost six years ago.

Also appearing at the film was football legend Joe Kapp, the only player to have played in the Rose Bowl, Grey Cup, and Super Bowl. In the movie he plays the Walking Boss and definitely looks intimidating. His interview was a little awkward because he is nearly deaf and could not get the prompts from either Al Ruddy or the Sportswriter who was conducting the session. I did get a chance to shake hands and say hi to him outside the theater when we had gotten back in line for the next film of the day. He is 78 and not as on top of things as some are at that age but he was friendlier than all get out.

They finally got the story out about the local cops locking up much of the cast after a bar room altercation. It was interesting to hear that the prison guards in the movie were in jail one night before they were playing jailers themselves. When I listened to a podcast covering the festival recently, I heard that several more recent films that had been booked in the bigger venues were not drawing very well. This was effeminately one of those. It was a very moderate crowd, I suspect because the feature attraction was unable to make it. Listening to Albert Ruddy however made me glad that I came. He struck me as the kind of guy that Hollywood does not make anymore and that they really need more of.