Double O Countdown: The Living Daylights

We enter a new era of James Bond Films with “The Living Daylights”. For the first twenty-five years of Cinematic James Bond, there were two actors who held the throne with a brief interruption by a usurper. For the next twenty five years, the role was dominated by two other actors, after a brief reign by a Crown Prince that could not hold the throne. Timothy Dalton had been eyed as a James Bond as early as “OHMSS”, he finally got the role by default when Pierce Brosnan was held hostage by his television show. In my opinion, he might have given Connery a run for his money as the best James Bond, if only legal chaos had not pulled him from the role. As it is, we have two sparkling adventures that just begin to show his promise.

001  Another Snow Escape

Bond comes equipped with a couple of modes of transportation from opposite ends of the spectrum. He starts off with a Q provided Aston Martin Volante, with special modifications including a heads up display, rocket launchers, a set of skids for the snow and a jet boost.

The high tech vehicle only helps out our hero in the first part of the chase. He has to improvise with the last half and that involves tobogganing down the slopes in a cello case.

It is one of those amusing and innovative ways that 007 finds to use his natural instinct for survival.

Of course it is a filmed entertainment, so to make it more fun a gag is added at the end which doesn’t spoil the bit but does remind us that we are watching a James Bond Adventure. As they escape past the border, Bond gets the cello over the gate by tossing it to himself.

002  Mujahideen –Afghanistan before it gets even nastier

As part of the plot, Bond and Kara escape a Russian Military base in Afghanistan (during the Russian Occupation) and are taken prisoner or into protective custody by the freedom fighting Mujahideen.


This section revels one of the complications of political/military operations in that part of the world. The insurgents work with a local warlord who is selling opium to the Russian General Koskov.

At the end of the film, M introduces the Mujahideen leader to General Golol, an awkward moment diffused by Kara wondering where James has got to.

003 Opening Training Sequence

We see commandos parachuting onto Gibraltar, but soon realize from the paint guns being used that it is a training exercise, at least until the commandos start being executed by a mysterious figure on the island. Bond is revealed and chases down the assassin in a jeep loaded with explosives. It crashes off a cliff and explodes.

 

But not before James pulls the cord on his backup parachute and escapes.

The new James Bond arrives on a yacht with a bored beautiful woman, and we know all is right with the world.

004  The Dirty Job of a Secret Agent

Bond has never liked the idea of simply being a tool to be used in the place his superior sees best. He does not relish the role of assassin, although it does come up on occasion. From the original story by Ian Fleming, Bond has to shoot a sniper that is trying to kill a defector the British want.

The head of the station seems to be a prig who views him as a thug, and doesn’t want to trust 007 at all.

Bond spots the snipe but recognizes she is an amateur, not a professional killer. As an admirer of the feminine form and a man who doesn’t kill for no reason, he makes a snap decision.

He shoots to miss.

005  SMERSH

The name has not been mentioned by the film series since “From Russia with Love” and it was on;ly mentioned in passing there. The name is a contraction of “Smiert Spionam”, meaning “Death to Spies”. It was the main organization that Bond faced in the novels but was replaced in the films by the non-aligned SPECTRE.  As a plot point, to provoke the British into acting, the Organization is revived.

The death of two British intelligence agents is laid at the foot of General Pushkin, played by John Rhys-Davies  (From Indian Jones and The Lord of the Rings).

 Bond knows better and the plot thickens when he refuses to go along with his orders. Again, he refuses to be a mere assassin.

006  More Amazing Air Stunts from the Bond Team

Near the end of the film, Bond has taken control of a giant C-130 plane, transporting the opium out of Afghanistan. Koskov’s assassin Necros has gotten on board and as a bomb is ticking, the cargo bay door opens and a great fight stunt is done in mid-air (and on a sound-stage)

Another tour de force for the James Bond Stunt Team.

007  James Bond is not the only proficient agent in MI-6.

When Necros infiltrates the safe house to “kidnap” Koskov, he encounters another MI-6 agent in the kitchen of the manor house. There is a terrific fight that James Bond has nothing to do with, but one of his colleagues, a nameless agent keeping watch,  performs above the call of duty, although he ultimately fails to keep Koskov out of Necros’ hands.

It is a terrific fight sequence, and one of my favorite moments because all the other agents are not just bodies to tumble when the shooting starts.

James Bond Will Return in:

 “License to Kill”

Double O Countdown: A View to a Kill

Two out of three of the Roger Moore Bond films are on the bottom of my list of 007 cinematic adventures. I sometimes can’t decide which is the more ridiculous, this film or “Moonraker”. It doesn’t matter much because it is still a James Bond film and we love even the ugliest of our kids. There are some things to like about this film, even though it was a sad end to the Roger Moore era.

001  Guest Star Patrick McNee.

James Bond films had a lot of impact on the 1960s pop culture. Spy shows were everywhere once the 007 films took off. One of the most inventive was the English show “The Avengers”. Original female co star Honor Blackman appeared in “Goldfinger”, even more prominent co-star Diana Rigg was Mrs. Bond for a brief amount of time. Eventually, John Steed joined them as a co-star in a Bond film.

 Patrick McNee died earlier this year and I went to a screening of the Howling that was part of a tribute to him at the American Cinematique.

002  A Jump Off the Eiffel Tower

The villain Mayday kills an informant and is chased by Bond up the Eiffel Tower. She uses the same technique he did to escape from the Soviets in the opening of “The Spy Who Loved Me”.

The stunt was authorized, but some of the crew who missed an opportunity to particpate did an unauthorized jump later that day and got fired from the show.

003  James Bond invents Snowboarding

The film starts with an unrelated adventure at the North Pole. Bond has to escape on skies but loses them in the long pursuit. I’ve already said I’m a sucker for these snow scenes, this one takes a twist. After stealing a snowmobile and crashing it, Bond takes one of the runners and finds a new way to move across the frozen stuff. It was the first time most people saw a snowboard in use.

At one point, James gets some sick air.

004  Fisticuffs on the Golden Gate

The film features villain Max Zorin’s dirigible headquarters.  In a scene stolen from “Goldfinger” one of the potential partners backs out of participating. He is dropped in the drink rather than given a drink as promised.

The high flying villain seems to have the upper-ground in any combat. When his plans falter he grabs the girl and Bond follows. The climax of the film is a fight on the Golden gate Bridge. Several actual locations were used to get a pretty impressive high altitude fight sequence.

005 Christopher Walken as Max Zorin, Product of Nazi genetic research.

Sometimes I think Walken was a failure as a Bond villain. He had no great lines and sometimes the plot called for capricious behavior. That’s not his fault though, and when he flashes that creepy smile of his or displays his light on the feet dancing movements, he seems to be cast just right.

Big plans call for big gestures, and Walken is the ham who can deliver.

Max Zorin’s retirement plan for his men is not one that they will appreciate.

Light on his feet, Fat Boy Slim’s weapon of choice has him dancing into the fire with an axe on the Golden Gate Bridge.

When things don’t go as planned, make sure you exaggerate your weird facial expressions, that’s why they hired you instead of Rutger Hauer.

006 Mayday

Grace Jones could not act to safe her life, but she had a fierce persona and a lean, muscular look that was just right for the mid 1980s. The tag line in the promotional material asked:

“Has 007 met his match? ”

Mayday is Oddjob to Zorin’s Goldfinger. A killing machine to be feared.

The Russians learn how dangerous she is before our hero does.

007  Once again the title song comes to the rescue.

The only  Bond song to reach Number one  in the U.S.

James Bond will Return in:

 “The Living Daylights”.

Double O Countdown: For Your Eyes Only

I really liked that this movie brought James Bond back to Earth. The story is more basic, with a MacGuffan that everybody wants. The bad guys are not megalomaniac bizillionaires trying to destroy the whole planet, they are just evil spies, willing to sell out their friends for money. I also like that the film has a revenge theme that it took from the collection of short stories that this title came from. There are a couple of things that hurt it a bit, what the hell is Lynn-Holly Johnson doing in the story, and we could do without the Margaret Thatcher parody at the end. Also, the Chief of Staff Bill Tanner was Bond’s friend in the books, here he is an insufferable snob with delusions of replacing M, it may be my least favorite character in all the Bond films. Let’s not dwell on the bad however, instead, enjoy the seven best things in the film.

001 Farewell to Blofeld

Bond is interrupted in a moment of reverie at the grave of his lost bride. It is one of the few times that plot point ever comes up in the series.

 A helicopter has been dispatched to bring him back to headquarters, but low and behold, a familiar bald headed, cat stroking figure in a wheelchair seems to have taken remote control over the copter.

Because SPECTRE and Blofeld are part of the ongoing litigation with another producer, the character is never identified, but every Bond fan knows who it is supposed to be. The scene did play a bit with a comic touch but the result is a lot more satisfying than leaving the character hanging in a bathysphere while an oil rig blows up around him. Naturally 007 regains control of the copter and then turns the tables on his old adversary.

This is the sort of nasty exit we want for Earnst Stavro Blofeld. Dropped by Bond down a hole from which there will be no escape. Even hearing him plead comically with Bond doesn’t take away from the fact that Tracy’s killer has finally met his doom.

002 Castle in the Sky

After storming a space station and an underwater city in his previous adventures. Bond has to follow his enemy to a monastery on a rock that is basically a fortress in the clouds. Before Tom Cruise di all his climbing stunts in the Mission Impossible Series, James Bond was a mountain climber ahead of his time.

003 Another Shark Death Planned for 007

One more time, sharks are supposed to be the end of James Bond. This death is actually planned for Bond and Solitaire in the novel “Live and Let Die” but gets transposed to this adventure in the Aegean rather than the Caribbean.

Captured and tied up with Melina, a great Bond girl who can take care of herself.

They get yanked off of their boat and dragged across a corral reef, to bring blood and sharks

 

Of course they foil the plan and a nameless henchmen gets eaten instead.

004  Back to the Slopes.

For a guy who does not like the snow, I’m a sucker for ski sequences, and this one is pretty good, featuring a ski jumping hill and biathlon and motorcycles.

Bond lucks out as he is forced to ski down a giant slide, where at the bottom, the villainous Eric Krieger, East German Biathlon champion is waiting to shoot him. Another henchman ends up chasing Bond on the slope and Krieger does not know which figure to shoot.

 Bond flees down a cross country style slope, avoiding the killers by twisting and turning in mid air.

More henchmen on motorcycles equipped with spiked tires pursue him through the woods.

A cleverly placed ski pole managed to dismount a pursing cyclist.

And frustrated man mountain Krieger flings his motorcycle ineffectively at the escaping 007.

005 The Traditional double cross switch of allies.

Bond has believed that intelligence informer Kristatos is his ally. He has told Bond that the likely killer of his station head is a smuggler known as “the dove” who is actually a former war partisan and partner of Kristatos called Columbo.

 

In a plot point right from one of the Fleming stories, this whole tale was told at dinner and the center-pieces on the table contain a tape recorder that allows Columbo to here Bond agree to kill him. Imagine our surprise when it turns out that Columbo is the real patriot and Kristatos has been describing his own criminal actions as those of his former friend.

The delightful Topal, the star of “Fiddler on the Roof” plays Bonds new ally. Together, they take down a heroin storage warehouse in a solid action scene.

006 Sheena Easton

The Scottish chanteuse sings the title song and is the only artist to sing a title song whose image appears in the credit sequence. It’s a music video just as MTV was getting started. It also serves as commercial for the film.

007 Once more Roger Moore gets a shot at being a Badass.

The killer Locque, who Bond and Melina have pursued, is at the warehouse when Bond and Columbo make their move. He escapes in a car that travels up a steep set of switchbacks on a hill. Bond id determined to get to him and runs flat out up a series of staircases that are a more direct line to the top of the hill.

At the top, in a tunnel that the car must go through, Bond stops and takes aim.

Locque is shot in the shoulder, loses control of the car and it veers to the edge of a cliff.

Bond confronts the killer and delivers a message, returning the dove pin that Locque left on the body of Bond’s colleague.

And then, like he did in “The Spy Who Loved Me” and in “Dr. No”, Bond shows that he can be a cold blooded bastard, and the film is better for it. He kicks the car an that is the end of Lpcque.

James Bond will Return in “Octopussy”.

Double O Countdown: Moonraker

This is a tough one, there are easily seven things I hate about this movie, I’m not sure there are seven things that I like. Let’s see what I can come up with.

The summer that “The Spy Who Loved Me” opened was the same summer as “Star Wars”. EON Pictures saw the writing on the wall and they scratched “For Your Eyes Only” and rushed in a title that had “space” all over it. I think in rushing, they skimped on story and basically replicated the same plot as the last film, with space as a substitute for under the sea.

001 Shark Tank, Piranha Tank, Shark Tank, Snake Tank

Creative juices start to dry up and the Shark Tank that was featured in “Thunderball” and “Live and Let Die” and “The Spy Who Loved Me”, plus the Piranha Tank in “You Only Live Twice”, are simply updated with an Anaconda tank to fit the South American Setting. He is smart enough not to cross the pond on the bridge, but surprise!! the path tips over and drops him in anyway.

 All the beautiful women must have distracted him

Fortunately James has snake vaccine.

Unfortunately, Jaws is waiting for him, despite being dropped off a waterfall.

002 It’s no ejector seat but it will do in a pinch.

A boat chase through the Amazon and James manages to blow up some pursuers with relative ease.

 There are more boats however and after taking out a couple more, he runs out of river and into a waterfall. There is not much else to do but abandon ship in a hang glider conveniently provided in the top of his boat by Q branch.

 It’s a great way to see the jungle and accidentally discover the secret rocket base hidden in the forest.

003  Dr. Goodhead takes Bond for a ride.

All space centers have a centrifuge right? How could James turn down the opportunity to test it out, he’d look like a wimp in front of the CIA.

Fortunately, as Roger Moore is getting on in years, this device provides him with a little facelift.

004  Rio From Above

A chance to see “Christ the Redeemer” gives Bond and Dr. Goodhead a chance to ride a cable car above the city.

Of course they are not the only tourists sightseeing that afternoon.

Realizing he does not have a return ticket, Jaws decides to join James and Holly on the ride down.

Next time don’t settle for the economy tour.

005 Set Design to the Rescue

There are some clunky effects shots in the space battle, but the location is aces, with an imaginative design and practicality to much of what is shown.

Sections of the Space Station are connected with interior tubes that allow movement without having to rely on gravity boots on the floor of the station.

Fascist crazy billionaires get a chance to speak to the troops in an elegant landing that floats above them.

Plenty of parking is available for residents and visitors.

006 Hijacking the Moonraker

We had actually seen the space shuttle being transported on the back of a 747 at this point, so the opening shot fits in with contemporary visuals.

What happens next is not exactly the way it is planned by NASA.

Wait, can it do that? It doesn’t matter, it’s a cool idea to steal a space ship when you are one short.

007  Parachutes, I don’t need no stinking parachute.

The best stunt in the movie is the opening escape by Bond from being thrown out of a plane without a parachute. Several years before “Point Break” James Bond had already figured out the answer.

When Jaws tosses Bond overboard, you wonder what will happen, and then you remember the guy who went out before James did.

James maneuvers himself into position and then,

Steals himself a parachute from the other guy.

So a great stunt right? Hell, it gets better when Jaws comes after him, but when they turn the music on for Jaws landing on earth, the circus starts. They blew their wad in the opening and then stepped on the action with a comic musical joke.  And they do it for two more hours. Fortunately, James Bond returns to Earth in the next adventure.

James Bond will Return in “For Your Eyes Only”

Double O Countdown: The Spy Who Loved Me

“The Spy Who Loved Me” is Roger Moore’s best work as James Bond. The series had some humor still but did not go off the deep end until the next picture. It reworks the concept of “You Only Live Twice” pitting the Soviets and Americans against each other, this time to destroy the world so that the undersea empire of Stromberg will survive. Three nuclear submarines end up in a supertanker that was the largest sound-stage of any movie studio ever.

001 Submarines Fight World War Three inside a tanker.

002 The Pyramids Night Time Lighting Ceremony

I have no idea if this is a real thing or not, but it ought to be. Bond follows XXX to meet the mysterious seller of the tracking technology they are both after. They are not alone however, as the killer Jaws is also after the seller for a different purpose. All this takes place while the narrator of a cool light show at the pyramids keeps talking. This is the only time I ever thought about visiting Egypt.

003 Jaws

A hired killer who stands over seven feet and has steel teeth that he uses to bite the carotid artery in his victims neck. Richard Kiel played the part in two Bond films, and despite the obvious rip-off of the name from a familiar film from a couple of summers earlier, he became iconic in his own right.

Taking a bite from his namesake

His hand is as big as Bonds head. That’s pretty intimidating.

004  Speaking of Submarines

After the ejection seat of “Goldfinger” you might wonder what the Q branch would come up with for 007 to drive on assignment. Well, they out do themselves here, a high speed Lostus that doubles as a submersible,

A cool car and helicopter chase, ends with a plunge into the Corsican sea.

 Caroline Munro, B movie Queen of the era, captains the helicopter.

005 Carly Simon sings the theme song.

This tune was all over the radio in the late seventies. Some people  (Fogs) even think it is the best Bond theme. It has a polish that makes the movie feel sophisticated even when it is occasionally silly.

006 My Favorite Moment From Roger Moore as 007

Most people think of Roger Moore’s James Bond as an avuncular,  dandy who never got his nails dirty. Here is a sequence in which Moore explodes that myth. After a fight in the rooftop of an Egyptian apartment, Jaws partner, Sandor, teeters on the brink of death, grasping Bond’s tie to keep from toppling over.

 Bond questions him about the location of the arms merchant who has the submarine tracking tool for sale. As soon as he gets his answer, Bond flicks his tie.

 Down goes the bad guy, another casualty of the spy game.

Than 007 casually straightens out his tie to look good for the rest of the afternoon. Cold, James, really cold.

007 The Pre-Title Sequence

Almost everyone will agree, this was a spectacular stunt. The unfurling of the Union Jack got a standing ovation at the Royal Premier of the film attended by Prince Charles. I’ll stand up for our allies here as well. For Queen and Country James.



James Bond Will Return in: “Moonraker”

Double O Countdown: The Man With the Golden Gun

The Man with the Golden Gun is one of the lesser Bonds in my opinion, put it does have some points to recommend it and I have to admit that each time I see it, it grows on me.

001 The Kung Fu Kick gets a 007 Twist

The early Seventies were filled with Blaxpoitation and Kung Fu Movies. Since the year before, Bond had indulged in the urban drama of the gritty streets, it seems logical that Bruce Lee will not have died in vain. His legacy provides Bond wit an opportunity to don a gi and get his karate freak on. Of course in the end, the twist is that the two teen girls are the real Bruce Lees of the film.

002 The Cartoon Funhouse Shooting Gallery

At the beginning of the film, a mob assassin shows up to do in Scaramanga, but he is deposited in a strange “dark ride” environment. It makes little sense but it is visually fun and it sets up the duel between Bond and Scaramanga at the end of the film.

003 The Secret Lair

The movie has some spectacular locations, none more beautiful than the island lair of Scaramanga, supposedly located just inside Chinese territory to give him cover.

The lush background for the duel between the titans of death is also the location of a solar energy plant. And it’s not located in the California dessert just before the Nevada border.

004 A Penny Slide Whistle Ruins a Great Stunt

As complicated and dangerous as the alligator gag in the previous movie, but requiring more physics and math than most of us will ever do. AMC cars, a sponsor of the film (based on the make of most of the vehicles in Thailand) gets it’s money’s worth with an incredible 360 degree spin of a car jump. It looks great but as it happens, someone made the mistake of choosing to make it a comedy moment and they add a slide whistle sound effect to the film. It spoils the moment but not the achievement.

005 The Sun Never Sets on England (or at least English Territory)

Great Britain still controlled Hong Kong in 1974 , and in the harbor, a shipwrecked “Queen Elizabeth”, the companion luxury liner to the “Queen Mary”, lies on it’s side,a burnt out hull, or does it. MI6 apparently can’t afford the rents in Hong Kong anymore than the rest of the world, so some great set design is used to take a piece of contemporary history and turn it into a James Bond moment.

006  Francisco Scaramanga AKA Christopher Lee

With his skyscraper frame and intense eyes, he makes a perfect Bond Villain. The late Christopher Lee loos terrific in the white suits and sea island shirts that he wears in this film. He feels like he is indeed a match for James Bond.

An assassin who gets a million dollars a contract, Scaramanga also manages a business stealing technology and using it to blackmail the rest of the world. His secret weapon, well let’s just say we will be discussing this in a moment.

When he acquires the solex that turns his solar panels into energy, he also manages to turn that energy into a weapon. The golden rays of the sun become a metaphorical golden gun that he uses against

Bond’s plane.

007 The Golden Gun

My most coveted piece of Bond memorabilia. I’d love to get one of these reproductions of the clever Golden Gun that the villain uses to dispatch the objects of his contracts.

  A cigarette case, a lighter, a fountain pen and a cuff link, come together to create a deadly toy.

Just the Christmas present that anyone would be happy to recieve, hint hint, nudge, nudge.

James Bond will Return in: 

“The Spy Who Loved Me”

All Things Must Pass

Sunday night, we seized the opportunity to have one last go at this documentary about the rise and fall of Tower records, with a Q and A session with Director Colin Hanks and Executive Producer Glen Zipper. It was a last minute add after two nights of previous screenings that we were not able to make it to. I can happily say I am really glad to have made it to the film, it was a fascinating look into the history of one of the great retail stores that catered to music lovers around the world. The movie examines not only the impact that Tower had on the culture of music but it also provides a unique example of history, a detailed look at an  American business in the second half of the Twentieth Century.

Russ Solomon is the founder of Tower Records and an out-sized personality that took to the music business after selling used records from the jukebox in his father’s drugstore. The film follows his story as he builds a business, expands it almost accidentally and creates a unique business culture that empowered the managers of the stores he owned to imbue them with their own personality. Hanks started the process of putting this film together more than seven years ago, and he was able to get many hours of interviews with his subjects over that time. As with ever film, the story evolves from the material that gets developed and the editor hones it into a narrative that makes some sense. This turned into a look at the “family” that was created by the Tower records approach. Ultimately that family has to go through a pretty harsh crisis and when it gets to that point, we have been surprisingly brought into the fold to share it with them.

In the Q & A, Hanks explained that everyone had stories about their experiences with Tower. One of the questions from the audience concerned a specific location. As the director put it, “Those stories are better told over a beer in a bar than they are on screen.” The one really great exception occurs when the story is told by one of the biggest rock stars of the last forty years. Elton John is interviewed and through a quirk of fate, there is even film of him going over his lists of music as he shops at Tower on Sunset Blvd. Personally, I always liked going to Tower wherever I happened to be. In 1977, we were at a Debate Tournament in Sacramento and we went shopping at Tower one night while we were there. I picked up an 8-track of the Bee Gees Mr. Natural at the home store for the chain. Most of my later Tower experiences were with the stores in Buena Park, Brea, and Hollywood.

There is a good mix of personalities from the company to tell the story. They all seemed to love the company although they did not always seem to like each other. The fall of the company may have been casually blamed on Napster, I seem to remember Justin Timberlake making a snide comment as the character of Sean Parker in “The Social Network”, crowing over the corpse of Tower, but in this movie, the collapse was shown to be a lot more complicated. On-line music has not killed the sold off Tower Stores in Japan, so there might still have been a place for the company, if they had not been so heavily leveraged and the economy had not tanked.  Technology has changed the marketplace, but there is still a large segment of the population who love physical media (like me) and wish we had a paradise to indulge in browsing, handling, sharing and dreaming in real time rather than the virtual world.

My friend Michael, met us at the theater and he is a big music guy. In addition to being a former projectionist, he is an aficionado of analog vinyl  music. He seemed to really appreciate the movie as well. It is a great opportunity to see some old clips of Los Angeles and San Fransisco as well as to bend another persons ear about the good old days of record stores. Licorice Pizza, Music Plus, The Wherehouse are all gone, but none of them are recalled with the fondness that people have for Tower records. If you have any interest in the story, this is a film to check out.

We took an extra few minutes to cruise down from the Archlight and visit the old Sunset site. Hanks had been on the Mark in the Morning show the Wednesday before the weekend, promoting the film, and he had mentioned that they had restored some of the look of the old building for an opening party that they had. It probably won’t stay that way forever, but if your nostalgia itch gets to be strong enough, take a trip down the blvd. and let your heart jump in hope that the past eight years has all been a nightmare and we can now stop in and find out what’s new in the music world.

Double O Countdown: Live and Let Die

Enter Roger Moore for a long stay as 007. The Moore films are remembered as being light, full of humor and self depreciation, as well as being over the top. The only people for whom Moore was the best Bond are kids who first saw 007 in the 70s and fondly recall how much they enjoyed the films. Sir Roger has his moments and I think he managed to fit well with the films given their styles from that period. This is his first one, and in my opinion it was one of his best.

001   The Best Poster From any Bond Film

I did a write up a couple of years ago on the Bond Posters, and I named this as my favorite. A couple of other people shared their opinions but I’m sticking by my guns. If you want to read the whole post, click on the beautiful image below.

http://kirkhamclass.blogspot.com/2013/06/007-posters-top-ten-list.html

002   One of the Stupidest Things I Ever Did as a Kid

I had a couple of friends as a kid who were far and away crazier than I was, but I happily followed them down the path of madness. We took the shaft of pen cartridges and cleaned them out, crimped one end, put them between a bobby pin and stuffed them with sulfur from matches, creating little canons that would shoot rock salt. James Bond never did that, but… he did do this…and so did we. I’m lucky I’m not blind.

003 The Film’s Motif.

I’m going to cheat here to get in some extra elements that I like about the movie. It is full of blaxploitation, voodoo, Southern Gothic, fortune telling crazy stuff.

A guy with a claw for a hand.

Tee Hee is a big guy as well, towering over Bond. He inspires one of my favorite quips from Bond. When Bond is a prisoner and Mr. Big orders Tee Hee to take his watch so he can use the serial number to test Solitare, the henchmen fumbles with it and Bond mutters “Butterhook”.

Solitaire, the Bond Girl of the film, played by the beautiful Jane Seymour, reads the future for Mr. Big and Dr. Kananga. The voice over while Bond is traveling to the U.S. is full of foreboding fun.

I gave my daughter who is also a Bond fanatic, a deck of these cards as a Christmas gifts four or five years ago. The imagery on the cards is used in the poster and it was cleverly used by Bond to infiltrate the Mr. Big organization. He was Solitaire’s destiny by  design.

The Funeral in New Orleans as the CIA man is disposed of with a coffin made for clean up duty on the streets.

One of the themes that was kept from the original story was the way Mr. Big controls a lot of his followers through the superstitions around Voodoo. Bond’s treacherous partner Rosie, freaks out at the hat with the chicken feathers, Bond trails his suspect “Whisper” to a retail outlet specializing in the occult, and on the island that Kanaga controls, his enemies are murdered in a voodoo ritual featuring the King of the Dead Baron Samedi himself, sometimes a nightclub performer, sometimes a robot and sometimes an actual specter of doom.

004   An Amazing and Entertaining Boat Chase through the delta lands.

While it does introduce a comic supporting character that is unwisely included in a second Bond film, the boat chase should not be diminished by the presence of  Sheriff Pepper.

003 Yaphet Kotto as the Villain Mr.Big/Dr. Kananga

This wonderful actor with a distinctive pronunciation and voice, is one of the best villains in the Moore years. He has a real part and gets to play it up duringthe story, he is not some vague megalomaniac millionaire trying to destroy the world, he is simply a clever gangster who dreams big and knows how to get what he wants.

When he and Bond have their climatic fight at the end of the movie, he wields a knife like he knows how to use it. Trapped underwater (In a shark tank of course) Bond forces an anti-shark pellet down his throat.

The result is explosive.A funny and fitting end to the bad guy.

006  If They Hadn’t Done it for Real, you’d hoot at the idea.

Bond is trapped by Tee Hee on an island in the alligator farm where the heroin is manufactured. He has run out of chicken pieces to distract the gators with and must figure a way out that avoids being the main course. The exit the writers cooked up is preposterous, but the stunt was really performed on camera, live. It was dramatic, silly and a laugh that earns it an honored place on my list.

007  The Opening Titles and the Title Song

The best theme of the 007 Rock era, is played over naked women in silhouette, with fire and exploding skulls. Paul McCartney proves that post Beatles, he had the best ear for a catchy tune of all the fab four.

That’s all for now,

James Bond will Return in:

 “The Man With The Golden Gun”.

Double O Countdown: Diamonds Are Forever

This one is a little tough because it is one of the lesser Bonds. It has it’s qualities but most of them are not particularly unique so it might sound a bit familiar as we go along here. This is one of the few times in the series that a large part of the action takes place in the states, and the setting of Las Vegas was novel for the time. Bits and pieces of the era creep in and make it one of the more dated stories.

001 The Theme Song

It feels like a cheat to include the theme song in so many of my lists for this project, but Bond fanatics know that the music in the movie is one of the draws. This was a triumphant return of Shirley Bassey to the fold, and she does a silky smooth opening song that mixes electronic instruments with a great bass riff.

002 The Henchmen

If they tried this today they would be crucified. The secondary killers for Blofeld are a couple on near mincing homosexuals that are exploited for laughs more than for the danger they present. It is politically incorrect, but it was one of the first times I’d encountered a gay character in any fistion, so it was memorable to me.

Wint and Kidd are closing up the smuggling pipeline and killing all the contacts along the way. They try to get Bond a couple of times, but never manage to do a credible job of it. Mr. Wint’s perfumery cologne gives him away at the end of the film.Bond does him in with his own bomb cake and a suggestive handlock between the legs that  is another gay punchline.

At least Mr. Kidd gets a more dignified death, if you consider immolation to be superior.

003 The Double Entendres

James Bond in the movie is different from the books in a number of ways, one of which is his play with language. Although the puns and risque wordplay are tiresome in the Pierce Brosnan films, they still worked coming out of the mouth of Sean Connery.

James Bond: Weren’t you a blonde when I came in?

Tiffany Case: Could be.

James Bond: I tend to notice little things like that – whether a girl is a blonde or a brunette.

Tiffany Case: Which do you prefer?

James Bond: Well, as long as the collar and cuffs match…

I did not get this joke in 1971, I was thirteen at the time. Years later I almost busted a gut when i heard it again.

Here is another one from the film that I did not get the first time around and now it would get a spit take from me.

“Hi I’m Plenty”

 “Plenty O’Toole”

“Named after your father perhaps.”

004  Mustang Mix Up

It is hard enough to make a movie, much less one where everything needs to be consistent. Bond and Tiffany are chased through old Las Vegas in their Red Mustang. In order to escape at one point Bond drive up a ramp, tips the car on it’s side and drives through a narrow pathway that the cops can’t follow through.

All well and good, except when he comes out on the other side, there is a slightyly odd issue with physics that needs to be explained and never is.

Exactly how does the car come out the opposite way it went in?

I’m not that picky, it was still a cool stunt.

005  Willard Whyte

Singer Jimmy Dean plays a reclusive billionaire who is kidnapped but no one knows it. Why? because he has not been seen in public for a number of years before it happens. Those of you not familiar with the history of Vegas and Howard Hughes will miss the sly references and outright theft of some of his story.

The above shot also includes frequently used character actor Shane Rimmer (You Only Live Twice, The Spy Who Loved Me, and a voice in Live and Let Die)

Like the fictional Willard Whyte, Hughes occupied the top floors of the hotels he stayed at. He actually bought the Desert Inn while living there to avoid more conflict with the management.

The best part of the story with Whyte is the Penthouse suite occupied by Blofeld. It is another gem of design from the 007

006 The Poster

One of the best posters of the series. For a complete discussion check out my post on Bond posters by clicking the image.

http://kirkhamclass.blogspot.com/2013/06/007-posters-top-ten-list.html

007 The Elevator Fight

Bond has a lot of hand to hand combat in the films. This was a unique fight because it was so brutal and it takes place in an old style open elevator. The conflict with smuggler Peter Franks has drama and a couple of black humor bits because the quarter are so close the combatants can’t get much momentum or leverage with one another.

The best sequence in an otherwise less than thrilling film.

James Bond Will Return in “Live and Let Die.”

Double 0 Countdown: On Her Majesty’s Secret Service

My on-line friend Dan Fogarty, holds this entry into the 007 cannon in low esteem. He has it ranked near the bottom of the list and he lays the blame squarely on the shoulders of George Lazenby. He thought Lazenby was boring and the script is boring having Bond go undercover as a college professor. Maybe I’m a little biased, what’s wrong with that?  Anyway, this is the first, first run Bond film I saw as a kid. All of the Connery films I’d seen before this had been in re-release. I had watched enough Avengers to know who Diana Rigg was, and the idea of Bond really falling in love was a nice twist.

001  The New Blofeld

After meeting Bond in the Flesh, and Bond meeting Blofeld face to face in “You Only Live Twice” it is a little hard to figure why in continuity, they would not recognize each other when they finally meet up here. Maybe it is the fact that both characters are played by new actors. I’ll let other debate the merits and faults of Lazenby, but as for Blofeld, I think this was a step up. Instead of being a near dwarf with a scar, in this film, he is played as a vigorous man, capable of fighting on a bobsled and skiing dangerously down a mountain. Telly Savalas wins my vote as the best Blofeld that we get to see.

002 The New Bond

In the one wink to the audience, the new Bond acknowledges his situation. Sean Connery had left the series, the posters for the movie featured a faceless 007, and after the first fight, when Bond beats the bad guys but loses the girl as she drives off. He stands on the beach with her shoes in her hand and says, as he looks straight at us…”This never happened to the other fellow…“. That’s a good laugh and it is in the spirit of the films continuing on.

“This never happened to the other fellow”

003 No Title Song

For years one of my pet peeves about the movie was the lack of a title song. The Louis Armstrong vocal is a nice tune but it is buried in the plot. At some point however, I started paying attention to the theme played over the titles and guess what, it kicks ass. Those four descending notes played with electronic magic actually build a lot of excitement.





The guitar and horns complement this melody perfectly. Excellent!

004  1969 Technology



Bond breaks into a solicitors office in Switzerland to gain access to documents that might reveal Blofeld’s location. He need a safe cracker and a photocopier. Lucky for him, they come together in a single piece of equipment, unlucky for him, that equipment is the size of a shipping trunk. No problem, he arranges to have it delivered to him in the office by a construction crane and bucket from a project next door. Now, what to do while waiting for the safe cracking machine to do it’s job? Fortunately, there is reading material in the office. 

 This is a tight little sequence that build tension out of a guy coming back from lunch. It may not be a countdown on a nuclear device, but it builds some good suspense and it has a fun little payoff when 007 tears out the centerfold to take with him. 

005  The Bond Girl

Countessa Tracy Draco is played by the former Emma Peele of the Avengers British spy TV show. That catsuit she wore in the credits was enough to solidify my sexual orientation at 10 years old.  Now I was more mature and so was she. As Bond’s object of affection she was quirky, standoffish, beautiful and capable. Late in the film she fights a henchman for five minutes and thrashs him with a broken bottle and nails him against a wall. She is not a damsel in distress, so much as the type of woman Ian Fleming always said Bond would fall for, “a bird with a wing down”.

 She also rescues Bond and drives her car as well as he does in the opening scene and in the chase that is featured latere in the film. 

006  Snow Plowed

I appear to have an affinity for exotic death scenes in the Bond series. The skiing chase down the snow covered alps is the first of a long line of ski sequences in Bond films. From the looks of the trailer, Daniel Craig is about to join the list of Bonds who have used mad snow skills to defeat their enemy. In “On Her Majesty’s Secret Service”, one of Bonds pursuers does not make it across the trench that a large snow plow is working on. Well before Steve Buscemi was disposed of in “fargo” we got this scene.

007 The Ice Slide

This series will be filled with brief moments that mark the series with indelible memories. My favorite from this film is James Bond, on his belly, with a machine gun blasting, sliding along the ice at Piz Gloria, where he had been curling with the bodacious beauties just a day or two before. It is the coolest image from this snowbound story. It was an improvised moment of brilliance from director Peter Hunt.

James Bond Will Return in “Diamonds Are Forever.”