Marty Supreme (2025)

Timothée Chalamet is an actor who has made a big splash in the last few years, appearing in art house films like “Call Me By Your Name” and blockbusters like “Dune” and “Wonka”. I can’t say he has always been an appealing character on screen because some of his roles have required him to be a bit of a heel, but I can say he plays the biggest jerk I have seen in several years in the new film “Marty Supreme”. He is not an uninteresting character, but no one should ever trust him and don’t expect to have a happy experience if you encounter him in your life. 

I have not seen and of the previous films made by the Safdie Brothers, but I recognize their style from the trailers and the reviews that I have read. Josh Safdie is on his own here, but I have no doubt that what I am seeing is emblematic of their style. It is frenetic, fast paced, and a combination of dread and humor. Believe it or not, this is not a film about drug dealers, jewel thieves or for the most part, other underworld characters. This is a film about ping pong, set in the early 1950s, with a sense of style that many will embrace but some may hold at arms length.

Count me in the later category. I did not dislike the film, but it is not really something for me. The lead character makes endless mistakes that other pay for, and he is indifferent to the consequences for the most part, even when the consequences effect him. Most of the time however he is a narcissist of  limited human emotions. You can admire his single minded pursuit of excellence in his chosen field, but you will probably be embarrassed by his behavior. Much like John McEnroe in 1980s tennis, his skills as an athlete are matched only by his arrogance.

The storytelling consists of personal disaster porn. Every choice Marty Mauser makes, professionally or personally, leads to some crisis that escalates out of hand and requires the next choice to try and address it. Of course, that choice then results in it’s own complications. The film is two and a half hours long, and I don’t think I could count the number of sudden shifts occur in the story. Bathtubs create havoc, gas stations explode, dogs get lost and found, and the people involved are rarely benevolent. Gwyneth Paltrow shows up as a former movie star who gets involved with Marty, and disaster strikes her as well. Marty’s friends lose cars, money, and get physically attacked because of his recklessness. Oh, and there are some great table tennis matches along the way.

Chalamet is excellent in the film, and if you care about awards season, I suspect he may take some of the prises home with him this year. Of course you would not want to share in his characters exploits, because you’d spend all your time trying to escape the consequences of his pig headed arrogance. The final scene tries to redeem the character, but I did not believe it for a minute. Lots of people will love the film, I am glad I saw it, but it is not my vibe.

Song Sung Blue (2025)

For 45 years it has been my practice to see a movie on the Christmas holiday. There have been plenty of stinkers, a number of films that were excellent but not really appropriate for the season, and several films encapsulated exactly what I was looking for for the holiday. Hooray, we have one of those films to talk about this year. Song sung Blue is an audience-pleasing, old-fashioned, music filled heart Tugger but I think the vast majority of the public will be happy to embrace it.

This film is apparently based on a documentary feature, so it is for the most part a true story, although there certainly have been liberties taken in developing it as a drama. The premise seems a little outlandish, but the longer I live in this world the more I discover that there are subcultures to which I am not privy, which thrive and run deep. So I suppose it should not surprise me that music impersonators have a sizable audience and their own sets of rules. However even if you are not part of that audience, you can enjoy this film because you know the songs and they are presented with great sincerity.

Mike Sardina is a somewhat successful impersonator, who is dissatisfied with doing short bits of other singers, and dreams of finding an act that will allow him to interpret something meaningful at least to him. When he encounters Claire, another impersonator, and she suggests a performer that he might be inspired by, well it is the start of a romance and a new show for both of them. Mike always builds himself as” Lightning”, and he dubs Claire “

Thunder” and together they construct a Neil Diamond interpretation and tribute show.

There’s a lot of fun to be had as the two of them struggle to get things right, and convince hesitant Casino owners, restaurant venues, and other entertainment outlets to give them the chance to show the world what Neil Diamond means. Hugh Jackman is Mike, and his performance is highlighted by and strengthened through the songs that he lends his voice to. We all know that Hugh Jackman can sing, he’s been a Broadway musical performer, and he has sung in cinematic musicals a couple of times, including an Academy Award nomination for “Les Miserables”. I think it might be a bigger surprise to discover that Kate Hudson, who plays Claire, has just as effective a  voice as Jackman. In many ways her story is the more compelling one as part of this endeavor. Frankly Kate Hudson steals the movie.

Naysayers may simply think that this is a karaoke Musical, and not worthy of much attention. I however am not snobby about being entertained, and if someone can sing well and present the songs in an entertaining way, I’m going to be satisfied. When you add on to that a very nice romance story, and a couple of tragic story arcs, you get a film that might be a little melodramatic, but that doesn’t make it worthless. Maybe it is just another Underdog Story, but it’s about underdogs in a different culture, and one that happens to be very interesting.

That the movie is bittersweet is not a drawback but rather a reflection of the old fashioned nature of Storytelling, which director Craig Brewer seems to be adept at. This is a movie that is made for adults, and it has some slightly mature moments, but it is not bawdy in a way teens would be inappropriate to include in the audience. This may not be a four quadrant Breakout but there are a couple of quadrants that will embrace this movie with open arms, and I happen to be in one of them.

You are also likely to be singing along with several of the songs, because after all the Neil Diamond catalog is pretty well known. Even those songs that are going to be less familiar will be appealing because of the way they are presented by the stars of this movie. It is not an Earth shaking cinematic accomplishment, it just does what we used to want from the movies, emotional satisfaction and entertainment. This is probably going to go on my list of the better films of 2025.