Kraven the Hunter (2024)

This movie is not good. There is something cringy about most of the Sony films that have tried to spin off Spider-Man characters into their own films. They just feel inauthentic entirely. The “Venom” films work in part because the film makers lean into the stupidity of the premise and they get that the films are commercial junk. “Kraven” is commercial junk that takes itself seriously an is laughable as a result. The opening sequences are really good, but then we get an origin story that is so preposterous, I was laughing at it as it was being played out. 

Aaron Taylor-Johnson looks great in the part, it’s just that the part is ridiculous. The child of a Russian mob figure acquires supernatural powers from a dead animal at a safari hunt with the assistance of a voodoo elixir that comes to him through a civilized girl who is visiting her grandmother’s primitive culture. If chiseled abs were enough to make a movie work, then Taylor -Johnson would have this sewn up. You also need dialogue and story for a movie to work, this film has some very stupid dialogue and some equally stupid story telling.

By the time we get to the CGI climax, I just did not care anymore. The only person who gets out of this unscathed is Russell Crowe, who plays the mob boss father with a heavy accent and a sociopath personality. It’s as if he doesn’t give a crap and just leans into the dumb mess of a film he is in. The film is set up for a sequel, but with the box office returns, I don’t expect anyone is jumping abord for another film in this series. 

I have fallen behind on films that I have seen in the theater here in December, so I am going to keep this short. There was not much to talk about anyway. I will probably turn my derision toward another film that came out more recently. Aaron, wipe your feet thoroughly before you try on James Bond’s shoes. I think you might be great for that series, but you stepped in some pooh here.

White Christmas (2024 Revisit)

I suggested a year ago that it might only be appropriate to see this movie every other year. I think I was fearful that the sugary content might spoil the experience or lead to diabetes. I was wrong. This can safely be enjoyed on an annual basis. I have heard it described as the best, bad Christmas movie, but I think that overstates the weaknesses of the film. As a drama, it is certainly not strong, but the drama is really there to hold the entertainment segments together. 

There is a defense of the themes in this article www.dailywire.com/news/white-christmas-is-the-festive-film-for-our-time, and after thinking about it, there is something to the film that can be defended on a thematic level. The context is what makes it hard for most critics to see that point. We live in a different time than when the film was made.

As far as the rest of it, I never tire of Danny Kaye. Bing Crosby can sing kike no one else. Rosemary Clooney is pretty good herself and Vera Ellen is a dynamo that nearly steals the whole picture. I get warm and glow just looking at the color palate of the film and the way it is played off the background seasonal effects of Hollywood. The minstrel show number is a lot more innocent than in the film “Holiday Inn” which is the movie that inspired this film. There is no Blackface, but there seems to be an appreciation of the arts that the genre used rather than the attitude the minstrel show took toward the black population of the times they originated in.

“Choreography” is an hysterical number, and “The Best Tings Happen When You’re Dancing” is just magical. For more, check out last years comments here.