Daily Archives: August 3, 2023

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KAMAD Throwback Thursdays 1975: W.W. and the Dixie Dance Kings

Throwback Thursday #TBT

Throwback Thursday on the KAMAD site will be a regular occurrence in the next year. As a motivational project, to make sure I am working on something, even in a week where I don’t see a new film in a theater, I am going to post on movies from 1975. Along with 1984, this is one of my favorite years for movies and it is full of bittersweet memories as well. 1975 was my Senior Year in High School and my Freshman Year in College. The greatest film of the last 60 years came out in 1975, as well as dozens of great and not so great cinematic endeavors. Most of the films in this weekly series will have been seen in a theater in 1975, but there are several that I only caught up with later. I hope you all enjoy.

W.W. and the Dixie Dancekings

This is a piece of Southern Cornpone that was exactly the kind of thing that would fill a summer night perfectly. Burt Reynolds plays W.W., which doesn’t stand for anything, a slick gas station hold up man with a charming approach to his victims and all the confidence in the world. The film is set in 1957 at the crux of country and rock and roll music. W.W. gets tied up with a local band wanting to make it big and he tries his best to help them because he is smitten with Dixie, the singer/guitarist and he wants to prove himself to the doubting members of the band. He drives a fancy gold and black Oldsmobile and continues to steal as he is also becoming the manager for the band.

An additional advantage of the film is that it is filled with musical numbers that are pretty entertaining, as long as you can enjoy some country music. Ned Beatty even gets to sing a number. We get a tour of old Nashville, including the Ryman Auditorium which used to host the Grand Old Opry. So the historical surroundings make the film worth a trip as well. The film is full of a lot of colorful characters, some of whom are not particularly attractive. There are several country music stars in the film including Jerry Reed who worked with Burt Reynolds several times in movies in the 1970s.

This film should be better known because it was made by director John G. Avildsen, who would win the Academy Award the next year for “Rocky”. You can see some clever little touches in the transition swipes in the film, they are almost certainly attributable to Avildsen’s decisions on making the film feel so corny and hip at the same time. Reynold’s was apparently irritated by Avildsen however, because the director was not very understanding of the stutter that singer Mel Tillis suffered from, and Tillis appears as one of the gas station attendants that W.W. holds up.

Of course the whole thing would fall apart if Burt Reynolds had not turned on his charm to eleven. The story is dependent on Southern mannerisms and it has some fun with everyone being so polite even when they are robbing, swindling, or chasing the crooks.  W.W. is not such a bad guy but he is way over confident when the stakes get higher and his inability to solve the problem he is faced with in the one chance to get some drama into the comedy and chase scenes. 

The film is full of verisimilitude with cars, clothes, and songs that are all from the era. The car W.W. drives for most of the movie is an interesting automobile with a real history, and the country and religious stations that are featured on the radio also sound like the real deal. The backroads that W.W. and the band travel are probably unchanged even today, because those off the beaten path Farm to Market roads, still look the same. 

There is a story arc for W.W., it is subtle but emotionally rendered. In the end, it is a minor film but a lot of fun.  

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Haunted Mansion (2023)

I don’t have a lot to say about this film, it was fine and I liked the main characters, but it is in a rush to get somewhere after the first act, and that was not necessary. The opening section of the film nicely introduced us to the characters we are going to follow and it sets up the premise pretty well. I liked the photography angle and the story about grief is the hook that provides an emotional reason for watching the film. The problem is that once everyone is in the house the movie gets cluttered.

The number of times I have enjoyed the attraction that the film is based on would be hard to count. Most people will be happy to see the consistency of the references. It just seemed to me however that the film was mostly interested in getting in all those Easter eggs and not particularly interested in keeping the emotional thread at the center of events. There are several shots where it seems like there are dozens, maybe even hundreds of ghosts on screen at the same time. The effects in the mansion are rushed and you get no sense of thrill, fear or adventure from them as a result. 

There is a lot of frantic running through the mansion and away from ghosts, but at one point it had been suggested that the ghosts were running and that would have been a more interesting way for the story to develop. LaKeith Stanfield and Rosario Dawson sometimes feel like they are in a different movie than the other stars. Their story is potentially frightening and suspenseful. Owen Wilson, Tiffany Haddish and Danny DeVito are all in a movie that is comedy based. Their antics feel the most like the corny elements of the Haunted Mansion Ride. Jared Leto is a fully CGI character, but his voice and mannerisms (I assume motion captured) are correct for the movie, although the lighting and photography usually emphasizes the light hearted spirit of the film, even though his character is supposed to be quite dark.

At heart, this remains a kids movie. It has a PG-13 rating, and I am trying to remember what it was that would have pushed it over the PG edge. Maybe the subject of spooks is just enough to have the MPAA and the film makers squeamish about showing it to kids, but I think if your kids have seen Ninja Turtles, then they are probably fine to see this without too many reservations. I do think the fact that all the effects are CG does tend to render the film a little more safe, that’s an artistic and financial choice that Disney has made. 

The 2003 version with Eddie Murphy is a vague memory. I think a couple of characters share the same names, but the story premise was not anything like this, at least as far as I recall. It looks like if you want to see this in a theater, you should get cracking. Last week’s boxoffice was weak, we were the only two in the theater today, and other films are sucking up all the oxygen, so this will probably be streaming by September. 

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The Big Chill-Paramount’s Summer Classic Films Series

This year makes the 40th Anniversary of some of our favorite films. The Summer Classic series is featuring several of them and that makes me pretty happy, as does this film. “The Big Chill” is not the kind of film you see much anymore. It is a character piece, dependent on a good script and a talented cast. There are several incidents in the story, but the major event that brings all of the characters together, happens at the start of the film and mostly off screen.

When you look at the cast of the film, it is pretty impressive. Kevin Kline, future Oscar winner, William Hurt, future Oscar winner, Glenn Close, multiple Oscar nominations, Tom Berenger, future Oscar Nominee, Jeff Goldblum, film icon with no nominations, Mary Kay Place, Emmy winner, Meg Tilly future Oscar Nominee and JoBeth Williams, fresh off her triumph of “Poltergeist”. This was a talented cast for sure. (Oh Yeah, Kevin Costner was famously cut from the film) They were gifted with the chance to work with screenwriter/director Lawrence Kasdan, who would be nominated for the screenplay of this film. The film would also be nominated for Best Picture.

What most people of my generation and a little earlier, will most vividly remember about the film is the soundtrack. The film is filled with needle drops that will evoke a smile, a winsome memory or outright want to make you start dancing yourself. The story centers on a group of college friends, from the radical 1960s, who, fifteen years later, come together and question the choices that they have made. It is sometimes sorrowful and not everyone is convivial about connecting again. The suicide of one of their friends is the catalyst for everything that happens, but it is the sincerity of the characters and especially the actors that make it work. When they dance in the kitchen, you can believe for a moment that they have recovered some common ground. The Motown classics on the stereo probably echo even more for them since they are all graduates from the University of Michigan.

Everyone who had a close group of friends in their teens or college years, knows that even though your lives may have diverged, that common experience was something that shaped you and keeps you connected in spite of long periods of absence. Sitting together on the couch after a funeral, commiserating about the decedent and your past, is exactly the way most of us would give a group hug to get through the moment. The fact that it sometimes becomes tense does not diminish the importance of the relationships.

In addition to the music, the thing that most makes this film memorable is the humor. Tom Berenger’s Hollywood TV star trying to make the leap into a convertible like he does in the opening of his show is sure to get a laugh. Mary Kay Place offering sardonic commentary on the clients she represented as a criminal attorney was priceless. And throughout the film, Jeff Goldblum steals every scene he is in, even the ones where his character is passed out. There is a lot to relish about “The Big Chill” which is why it is so great to see it again with an audience on the big screen.