Liam Neeson and I have a standing date in the winter months. He shows up to kick some ass and I show up to watch him do it. For the last two years however he has stood me up. Unless I’m willing to give him credit for “A Monster Calls” where he did a vocal performance, he has made me go six months of winter without killing anyone on screen. That’s too long and I don’t like it. So of course I was happy to see that he had a January mind numb-er coming out this year. He has make some exceptionally good action films but he has also made some that are there to simply divert us for a couple of hours, no complaint, and this is a genre picture with no aspirations except to entertain us.
This is the fourth film he has made with Jaume Collet-Serra as director, and like the other three, it is an action film with a unique premise. Neeson is a guy who has been doing a middle class job, in a mundane corporate life, for a decade now, and suddenly he is immersed in a conspiracy and is forced to call on some old skills. You see he is also a former cop. That at least explains why he is able to think the way he does and handle himself pretty well when the fan makes contact with the feces.
Collet-Serra is a competent action director. I really liked his shark movie from two years ago, it was stylish and beautifully shot. There is one fairly artistic touch to this film and it happens during the opening. Neeson’s character goes through a number of days, minute by minute, almost Groundhog Day like. We see how similar each day of his life has been. There are minor variations of daily issues but the routine is the same. It is as if the life is mundane and you don’t really need to see everything that happens each day because it changes so little. The montage is the pre-title sequence and it does a nice job creating exposition without ever telling us a plot point. We know his life from the outset. This day however turns out a bit different. His work situation changes, his routine is disrupted and a stranger enters his life with a weird proposition. The next thing we know, he is jumping between train cars, engaging in deadly hand to hand combat and trying to outwit a antagonist who apparently knows everything except the one piece of information she wants Neeson’s character to find out.
There is no real surprise that the reason he is connected to the plot here is that he was a cop. Now just which one of the former co-workers is the bad guy? When you have name actors in parts that seem much to small for them, that is usually a tip-off that more is coming. In this film there are two possibilities, and the story keeps you guessing up to the climax, when it seems it could be either of the two, and then there is the turn and it is revealed. So we had some cat and mouse, some procedural and a couple of action sequences up to this point. Finally, there is a Spartacus moment and you will appreciate characters that maybe you didn’t think much of before. There are two Macguffins, a person and something they are carrying. In the end, neither is very interesting but we do get to see the psychological test that the antagonist has set up for us. Vera Farmiga has about the same number of scenes as her costar from the Conjuring films, Patrick Wilson, has. They never have any scenes together and it does seem odd that the casting went this way given their history together in movies. It’s not important, it’s just a quirk I noticed.
Long time character actor Johnathan Banks has a brief role and he was fine. Sam Neil is another name that is dangled as a suspect for us and you can certainly see why they went that way. Elizabeth McGovern is Neeson’s wife, with very little screen time and no character at all. This is an entertaining couple of hours that will leave no marks and doesn’t require additional viewings once everything has been revealed. I’m just glad there are still mid-level action films being produced for weekend consumption in the deadest part of the year.